From Head to Toe

June 12 - August 14, 2008

Kosyo, Dead Volcano, 2008, Silicone with silicone paint, 8 x 11 in (20 x 28 cm)

Kosyo, Hill 1, 2008, Silicone with silicone paint, 7.5 x 10.5 in (19 x 27 cm)

Kosyo, Northern Landscape, 2008, Silicone with silicone paint, 8 x 9.5 in (20 x 24 cm)

Kosyo, Hill 2, 2008, Silicone with silicone paint, 8 x 10.5 in (20 x 27 cm)

Kosyo, Lava Hill, 2008, Silicone with silicone paint 8 x 9.5 in (20 x 24 cm)

Blue Noses, Daily Bread, 2004 - 2005, DVD, Edition of 7, AP of 3

Margi Geerlinks, Untitled #3, 1999, Cibachrome, dibond, plexiglas, 70 x 49 in (178 x 124 cm) Edition 2 of 6

Miki Carmi, Tamy, 2008, Oil on Canvas, 54 x 41 in (137 x 104 cm)

Orlan, Refiguration / Self-Hybridization Pre-Columbian Nº38, 1998, Cibachrome print, framed, 63.5 x 42.5 in (161 x 108 cm) Edition 2 of 3

Lydia Venieri, Salamanca, 2007, Archival inkjet on polysatin, 30 x 60 in (76 x 152 cm) Edition 3 of 7

Don Porcella, Abdul-Jabbar, 2008, Pipe cleaners, 12 x 12 x 4 in (30 x 30 x 10 cm)

Shimon Okshteyn, Wheelchair, 2002, Graphite on canvas, mixed media frame, 90 x 90 in (229 x 229 cm)

Aaron Johnson, Rose Peddler’s Lament, 2008, Acrylic on construction debris netting, 53.5 x 42 in (136 x 107 cm)

Ruud Van Empel, World 17, 2006, Cibachrome, dibond, plexiglas, 40 x 118 inches, (102 x 300 cm) Edition of 10

Reena Saini Kallat, Salt Lines II, 2007, Acrylic and carbon on board, 5.5 x 4.5 feet, 6 frames

Zhang Xiaotao, Clouded Mountain and Brooks, 2007, Oil on canvas, 118 x 79 in (300 x 200 cm)

Thordis Adalsteinsdottir, Woman with Glasses and Cups, 2007, Acrylic on canvas, 36 x 36 in (91 x 91 cm)

Zigi Ben-Haim, Sizzling Habitats, 2007, Wire mesh, canvas, paper, alkyd paint and hooks on aluminum, 58 x 144 in (147 x 366 cm)

Dennis Oppenheim, Falling Angels, 2005, Resin cast, steel blades, 1 Angel: 61 x 60 x 39 in (155 x 152 x 99 cm)

Stux Gallery is pleased to present From Head to Toe, a rotating exhibition connecting artworks that focus on, or
highlight as their subject, the various (and sometimes mysterious) appendages of the human body. Acting as a stand in
for a medical laboratory, the rotation of artworks within the Gallery space will allow the curators to play the part of Dr.
Frankenstein.


In our consumer society, we are continually exposed to idealized and commercialized body types. In contrast, this
exhibition questions such stereotypes, calling into question the reality of our self-representations. Do such images
conform to an inner truth, or are they merely carefully contrived falsehoods fabricated by the media for commercial
purposes. Through the rotation and juxtaposition of these individual works, what emerges is a monster or golem, which
may (or may not) be greater than the sum of its collective parts.


The featured artists embrace the use of new media technologies in a way that echoes both modern genetic science and
the uncanny effects of the Surrealists. Where an explosion of hybrid media works continues to challenge the social and
cultural pressures exerted on the body, a more organic approach offers the viewer a glimpse of the macabre and
grotesque.