TRACEY MOFFATT


INDIVIDUALEXHIBITIONS

2006
TraceyMoffatt: Underthe Sign of Scorpio, Stux Gallery, New York

Tracey Moffatt:Between Dreams and Reality,Spazio Oberdan, Milan, Italy and Montreal, Canada

TRACEY MOFFATT:Adventure Series,Victoria Miro Gallery, London, UK

Love andAdventures, StevenKasher Gallery, New York, USA

2005

Tracey Moffatt:Under the Sign of Scorpio,Roslyn Oxley9 Gallery, Sydney

TraceyMoffatt: In Review,Monash Gallery of Art, Monash, Australia, June-August 2005

Blackspot, Monash University, Gippsland.14th July - 21st August 2005

TraceyMoffatt: Adventure Series,Institute of Modern Art, Brisbane, Australia

TraceyMoffatt: Fourth,Bendigo Art Gallery, Victoria, Australia

 

2004

Adventure Series, L.A. Galerie Lothar Albecht, Frankfurt,Germany

Adventure Series, Hasselblad Center, Sweden

Adventure Series, Roslyn Oxley9 Gallery, Sydney,Australia

Tracey Moffatt, John Curtin Gallery, Perth, WesternAustralia

 

2003

Tracey Moffatt, Museum of Contemporary Art, Sydney,Australia, December 2003 - February 2004

 

2002

Tracey Moffatt, Wellington City Gallery, Wellington, NewZealand - TraceyMoffatt, Joslyn ArtMuseum, Omaha, Nebraska, USA - Tracey Moffatt, Galerie Six Friedrich Lisa Ungar, Munich, Germany - Tracey Moffatt, Saint Marys University Art Gallery,Hallifax, Canada - TraceyMoffatt, GalerieKarlheinz Meyer, Karlsruhe, Germany - Fourth, Fay Gold Gallery, Atlanta, USA

 

2001

Tracey Moffatt, Ausstellung im Kunstforum Baloise,Basel, Switzerland - TraceyMoffatt, FruitmarketArt Gallery, Edinburgh, UK - Invocations, Victoria Miro Gallery, London, UK - Invocations from the collection of PatrickCorrigan AM, Drill HillGallery, The Australian National University, Canberra, Australia - Tracey Moffatt, Conner Contemporary Art, WashingtonD.C., USA - TraceyMoffatt,AustralianEmbassy, Washington D.C., USA - Fourth, L.A. Galerie, Frankfurt, Germany - Fourth,Roslyn Oxley 9 Gallery, Sydney,Australia - Fourth,Paul Morris Gallery,New York, USA -Invocations,Rena Bransten Gallery,San Francisco, USA - TraceyMoffatt, Nassau CountyMuseum of Art, Roslyn, New York, USA - Tracey Moffatt, California Museum of Photography, Riverside,California, USA - TraceyMoffatt, University ofNorth Texas Art Gallery, Denton, Texas, USA - Tracey Moffatt, Tensta Konsthal, Tensta, Sweden - Tracey Moffatt, Art Gallery of New South Wales,Sydney, Australia - TraceyMoffatt, ArtsonjeCentre, Seoul, Korea - TraceyMoffatt,ArtsonjeCentre, Kyongju, Korea - Tracey Moffatt, Taipei Fine Arts Museum, Taipei, Taiwan - Tracey Moffatt, Auckland Art Gallery, NewZealand - TraceyMoffatt, Dunedan PublicArt Gallery, New Zealand - Tracey Moffatt, Kunstforum, Baloise, Basel, Switzerland - Invocations, Zinc Gallery, Stockholm, Sweden - Fourth, Rebeccca M. Camhi Gallery, Athens,Greece

Some Lads, plusearly photographs and video,Conner Contemporary Art, Washington DC, USA

 

2000

Invocations, Photo & Company, Torino,Italy - Scarredfor Life II, Il PonteContemporanea, Rome, Italy -Scarred for Life II, Goddard de Fiddes, Perth, Australia - Scarred for Life II, Roslyn Oxley9 Gallery, Sydney,Australia - TraceyMoffatt, Rose ArtMuseum, Waltham, Massachusetts, USA - Tracey Moffatt,Yerba Buena Center, San Francisco, USA - Invocations,Matthew Marks Gallery, New York,USA -Laudanum,Greg Kucera Gallery, Seattle, USA - Laudanum, Galeria Luisa Strina, São Paulo, Brazil -Laudanum,Robert Birch Gallery, Toronto,Canada - Invocations,Galerie Helga de Alvear, Madrid,Spain - Invocations, Roslyn Oxley9 Gallery, Sydney,Australia - Invocations, L.A. Galerie, Frankfurt,Germany - TraceyMoffatt, KunstvereinFreiburg im Marienbad, Germany - Tracey Moffatt,Nuer Leipziger Kunstverein Leipzig, Germany - Tracey Moffatt,The National Museum of Photography,Copenhagen, Denmark - TraceyMoffatt, GemeenteMuseum Helmond, Netherlands - Tracey Moffatt, Art Public, Geneva, Switzerland - Tracey Moffatt,Artspace, Auckland, Manawatu Art Gallery,Palmerston, New Zealand

 

1999

Laudanum, Greg Kucera Gallery, Seattle, USA - Laudanum,Roslyn Oxley9 Gallery, Sydney,Australia - Laudanum,L.A. Galerie, Frankfurt, Germany - Laudanum, Paul Morris Gallery, New York,USA -Laudanum, Victoria Miro Gallery, London,UK - TraceyMoffatt, FreiburgerKunstverein, Freiberg, Germany - Tracey Moffatt,Centre National de la Photographie, Paris,France - TraceyMoffatt, Neuer BerlinerKunstverein, Berlin, Germany - Laudanum, Rupertinum,Salzburg, Austria -TraceyMoffatt,Centro Galegode Arte Contemporain, Santiago de Compostela, Spain - Tracey Moffatt,Ulmer Museum, Ulm, Germany - Tracey Moffatt, Six Freidrich, Lisa Ungar Gallery,Munich, Germany - TraceyMoffatt, Torch Gallery,Amsterdam, The Netherlands - Tracey Moffatt, Lawing Gallery, Houston, Texas, USA - Tracey Moffatt,Le Case DArte, Milano, Italy - Tracey Moffatt,Galeria Helga de Alvear, Madrid,Spain - TraceyMoffatt, Fundacio `LaCaixa\', Sala San Juan, Barcelona, Spain -Free Falling, ICA, Boston, USA - Tracey Moffatt, Rena Bransten Gallery, San Francisco,USA -TraceyMoffatt, Parko, Tokyo,Japan - TraceyMoffatt, Institute ofModern Art, Brisbane, Australia and touring through Asia - Tracey Moffatt, Galleri Christian Larsen, Stockholm,Sweden -TraceyMoffatt,Galerie Laage-Salomon,Paris, France

 

1998

Up in the Sky, Roslyn Oxley9 Gallery, Sydney,Australia - TraceyMoffatt, AustralianCentre for Contemporary Art, Melbourne, Australia - Tracey Moffatt, Curtin University Gallery, Perth,Australia -TraceyMoffatt, MonashUniversity Gallery, Melbourne, Australia - Tracey Moffatt, Galleri Larsen, Stockholm, Sweden - Tracey Moffatt, Victoria Miro Gallery, London,UK - TraceyMoffatt,Arnolfini,Bristol, UK - TraceyMoffatt, Arte/GEBozen/Bolzano, Italy - TraceyMoffatt, Le Case DArte,Milano, Italy - TraceyMoffatt, Il PonteContemporanea, Rome, Italy - Free Falling, Renaissance Society, Chicago, USA - Tracey Moffatt, L.A. Galerie, Frankfurt, Germany - Tracey Moffatt, Wurtembergischer Kunstverein,Stuttgart, Germany - TraceyMoffatt, VoralbergerKunstverein, Bregenz, Austria - Tracey Moffatt, Kunsthalle Vienna, Vienna, Austria - Tracey Moffatt,Magazin 4 Voralberger Kunstverein,Bregenz, Austria

 

1997

Free Falling, Dia Center for the Arts, New York,USA - TraceyMoffatt, L.A. Galerie,Frankfurt, Germany - TraceyMoffatt, GalerieAndreas Weiss, Berlin, Germany - Tracey Moffatt, Galleri Faurschou, Copenhagen, Denmark - Tracey Moffatt: Films, Musee dArt Contemporain, Lyon, France

 

1995

Guapa(Goodlooking), KarynLovegrove Gallery, Melbourne, Australia - Guapa (Goodlooking), Mori Gallery, Sydney, Australia - Short Takes, ArtPace, San Antonio, Texas, USA

 

1994

Scarred for Life, Karyn Lovegrove Gallery, Melbourne,Australia

 

1992

Pet Thang, Mori Gallery, Sydney, Australia - Tracey Moffatt, Centre for Contemporary Arts, Glasgow,UK

 

1989

Something More, Australian Centre for Photography,Sydney, Australia (Toured through regional galleries in Australia)

 

GROUP EXHIBITIONS

 

2007

It etait une fois:Walt DisneyThe Disney Studios\' Artistic Sources,The Montreal Museum of Fine Art, Montreal, Canada

Strange Cargo:Contemporary art as a state of encounter, Newcastle Region Art Gallery, Broken HillRegional Art Gallery, Bendigo Art Gallery, Orange Regional Gallery, Wagga WaggaArt Gallery and Tweed River Regional Gallery

 

2006

Screen Evolution:Syncity, AustralianCentre for Photography, Sydney

Once Upon a Time,Walt DisneyThe Disney Studios\' Artistic Sources,Galeries Nationales du Grand Palais, Paris, France

CRASH (and otherearthly pleasures),Lawrence Wilson Art Gallery, The University of Western Australia, Perth,Western Australia

Queensland Live:Contemporary Art on Tour,curated by Julie Ewington, touring Queensland, Australia at Gladstone RegionalArt Museum; Logan Art Gallery; Bundaberg Arts Centre; KickArts ContemporaryArts, Cairns; Ipswich Art Gallery; Redland Art Gallery, Cleveland; ArtspaceMackay; Toowoomba Regional Art Gallery

 

2005
Perception,The Daryl Hewson Photographic Collection, Queensland Centre for Photography, Bulimba,QLD, Australia

The Differencebetween you and me,The Ian Potter Museum of Art The University of Melbourne, Melbourne

The World is aStage: Stories Behind Pictures, curated by Araki Natsumi, Mori Art Museum, Roppongi Hills MoriTower, Tokyo, Japan
Blackspot:Contemporary Indigenous Photography from the Monash University Collection, with seletced loans, SwitchbackGallery, Gippsland Centre for Art & Design, Monash University, Gippsland,Australia

Prepossession, curated by Jill Bennett, FelicityFenner and Liam Kelly, Ivan Dougherty Gallery, The University of New SouthWales, College of Arts, Sydney, Australia; and Golden Thread Gallery, Belfast,Ireland

Skin, co-curators Fiona Foley and JennyGorringe, Salamanca Arts Centre, Hobart, Tasmania touring Australia at CASTGallery, North Hobart, Tasmania; Burnie Regional Gallery, Burnie, Tasmania;LaTrobe Regional Gallery, Victoria

Mixed-upChildhood,Auckland Art Gallery, Auckland

Face to Face:Photographs from the Albury Regional Art Gallery Collection, S.H. Ervin Gallery, Sydney,Australia

A touch ofglamour, Galerie ClaireFontaine,Luxembourg

ContemporaryVisions: Photographs and videos from the Helga de Alvear Collection, Oulun City Art Museum, Oulu,Finland

TheAnniversary Show,Rena Bransten Gallery, San Francisco, USA

Cromosoma X, Galleria d\'arte Sabrina Raffaghello,Ovada, Italy

A promise ofphotography: from the collection of DZ Bank, Moscow House of Photography, Moscow, Russia

Koldo MitxelenaKulturunea, San Sebastián, Spain

Zeitzonen - 3. Triennale zeitgenössischer KunstOberschwaben, Kloster Weingarten, Weingarten, Germany

 

2004

TraditionToday:Indigenous Art in Australia, curated by Hetti Perkins, Ken Watson and Jonathan Jones, Art Galleryof New South Wales, Sydney

Depth of Field,Portrait photography from the collection, National Portrait Gallery, Canberra, New SouthWales, Australia

SENI Singapore2004: Art & the Contemporary, Singapore Art Museum - SENI Art Festival, Singapore

Relating toPhotography:Highlights aus privaten Frankfurter Fotorgafie-Sammlungen, Fotografie Forum international,Frankfurt, Germany

blow up - Zeitgenössische Künstler-Fotografie,Ulmer Museum, Ulm, Germany

Wirklich wahr!Realitätsversprechen von Fotografien, Ruhrlandmuseum, Essen, Germany

Just love me, Fries Museum, Leeuwarden, TheNetherlands

The DisembodiedSpirit, Kemper Museumof Contemporary Art, Kansas City, USA

Outcasts andSunday\'s Children - Acquisitions in 2003, De Hallen, Haarlem, The Netherlands

Video art &satire, BowaArt,London, Great Britain

NOTHING IF NOTSATIRICAL, The Nunnery,London, Great Britain

Esperando unha chamada, CGAC Centro Galego de ArteContemporánea, Santiago de Compostela, Spain

Only Skin Deep:Changing Visions of the American Self, ICP International Center of Photography, NewYork,USA

Minority Report:Challenging Intolerance in Contemporary Denmark, Aarhus Festival of Contemporary Art, Aarhus,Denmark

Revealing SecretTreasures: Women Artists from the Reg & Sally Richardson Collection, Mosman Art Gallery, Sydney

Supernatural Artificial: Contemporary photo-based artfrom Australia, curatorNatalie King, Tokyo Metropolitan Museum of Photography, Tokyo, ChulalangkornArt Centre, Bangkok

The Plot Thickens:Narratives in Australian Art, A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne

I thought Iknew but I was wrong,curated by Alexie Glass and Sarah Tutton, Australian Centre for the MovingImage, Melbourne, Ssamzie Space, Seoul, South Korea, Sydney Indigenous ArtsFestival, Parramatta City Council, Parramatta, Australia

In Focus: 5contemporary women photo-artists, Campbelltown City Bicentennial Art Gallery, Campbelltown CityCouncil

2004 Adelaide Biennial of Australian Art:Contemporary Photo-media,Art Gallery of South Australia, Adelaide, South Australia

Good Looking:Narrative Photographs Past and Present, Ian Potter Centre: National Gallery of VictoriaAustralia, Melbourne, Australia

ColecciónSandretto Re Rebaudengo,IVAM Institut d\'Art Modern, Valencia, Spain

 

2003

Realities.Collections Without Frontiers IIThe Zacheta Gallery of Art, Warsaw, Poland

True Fictions.Inszenierte Fotokunst der 90er JahreStadtgalerie Saarbrücken, Saarbrücken, Germany

New Australiana, Perth Institute of Contemporary Art,Perth; Albury Regional Art Gallery, Albury, Australia

Phantom der Lust.Visionen des Masochismus in der KunstNeue Galerie Graz am Landesmuseum Joanneum,Graz, Austria

Der Rest der WeltNeuffer am Park, Pirmasens, Germany

Melodrama, MARCO. Museo de Arte Contemporánea deVigo, Vigo, Spain

Künstler derGalerieL.A. Galerie Lothar Albrecht, Frankfurt,Germany

SelbstgesprächPinakothek der Moderne, Munich, Germany

Realities andHistoires d\'AmourKunstverein Ulm, Ulm, Germany

Die Wohltat derKunst: Post/Feministische Positionen der 90er JahreSammlung Goetz, Munich; Staatliche Kunsthalle Baden-Baden,Baden-Baden, Germany

Two of usL.A. Galerie Lothar Albrecht, Frankfurt,Germany

Nan Goldin, Cindy Sherman , Tracey Moffatt , Barbara KrugerThe New Art Gallery Walsall, Walsall, GreatBritain

One Square Mile:Brisbane Boundaries,Museum of Brisbane, Brisbane

Fair Game: Art Sport, NGV ResponseGallery, National Gallery of Victoria, Melbourne, Australia

6ft clean: surf art, Manly ArtGallery, Gold Coast City Art Gallery, Noosa Regional Gallery, Perc TuckerRegional Gallery, Rockhampton Art Gallery, Coffs Harbour City Art Gallery,Manly Art Gallery and Museum, Mornington Peninsula Regional Art Gallery,Australia

Stellar, Centre ofContemporary Photography Fundraising Auction, Centre of ContemporaryPhotography, Melbourne

Home & Away:Place and identity in recent Australian art, Monash University Museum of Art touringexhibition; Customs House Art Gallery, University of Queensland, Brisbane(August to October 2003); Faculty of Art and Design Gallery, Monash University,Victoria, Australia (November 2003 to January 2004)

New View:Indigenous Photographic Perspectives, Monash Gallery of Art, Melbourne, touringMildura, Gippsalnd, Bendigo, Adelaide and Horsham, Australia through to 2005

Flagship:Australian Art in the National Gallery of Victoria, 1790 - 2000, The Ian Potter Centre, NationalGallery of Victoria, Melbourne, Australia

Play, Academy Gallery, School of Visual andPerforming Arts, University of Tasmania, Tasmania, Australia

`Judy Chicago Film Series,\'in Judy Chicago:The Dinner Party,Brooklyn Museum of Art (Upin the Sky), USA

Phantom ofPleasure, Neue Galerieam Landesmuseum Joanneum, Graz, Switzerland

Something MoreThan Five Revolutionary Seconds, Fondazione Davide Halevim, Milan

Fast Forward, Sammlung Gotez, Munchen,Aesstellungsdauer, Germany

Xin Rui She Ying, Shanghai, China

Quaderns darquitectura i urbanisme,237 The Suburban Unconscious, Spain

kunstforum Baloise, Zwischenbilanz, Neuerwerbungen,Baloise-Gruppe, Basel

Family Ties, Peabody Essex Musuem, Salem,Massachusettes, USA

Just Love Me, Fries Museum Leeuwarden, Leeuwarden(2004), Bergen Art Musuem, Bergen (2003), Sammulung Gotez, Munich (2002-2003),Staatliche Kunsthalle Baden-Baden (2002)

Shine, Museum Boijamans Van Beuningen,Rotterdam, Holland - M_ARS,Neue Galerie AMLandesmuseum Joanneum, Graz, Switzerland

 

2002

Fieldwork:Australian Art 1968 - 2002,National Gallery of Victoria, Federation Square, Melbourne, Australia (Nov 2002to Feb 2003)

6ft clean: surf art, exh. cat., GoldCoast City Art Gallery touring exhibition to 2003, Surfers Paradise, Australia

Love at FirstSight: Self-made Women,Centre for Contemporary Photography, Melbourne, Australia

Points of View, University of Technology Sydney ArtCollection, UTS, Sydney, Australia

2nd Sight Australian Photography inthe National Gallery of Victoria, National Gallery of Victoria, Melbourne, Australia

Iconoclash.Jenseeits der Reprasentationskrise, curated by Peter Weibel (and others), Zentrum furKunst und Medientechnologie, Karlsruhe, Germany - Video Works, Kunstnernes Hus, Oslo, Norway -Hollywood Revisited, Aarhus Kunstmuseum, Aarhus,Denmark - TrueFictions, Ludwig Forumfur Internationale Kunst, Aachen, Germany and Kunstverein Lingen, Germany

Connections -Contemporary Artists from Australia, House of Croatian Artists, Zagreb, Croatia -Collections Croisees, Musee dart Contemporain de Bordeaux,France - MelodramaLo excesivo en la imaginacion postmoderna, Centro-Museo Vasco de ArteContemporaneo, Vitorio-Gasteiz, Spain -Barbara Kruger/ Marlene Dumas/ TraceyMoffatt, Monika SpruthGalerie, Koln, Germany - Roslyn Oxley9 Gallery - The First 20 Years, Roslyn Oxley9 Gallery, Sydney,Australia - Nocturne:Images of Night & Darkness from Colonial to Contemporary, MPRG Mornington Peninsula RegionalGallery, Australia - SpectatorSport, Cornerhouse,Manchester, UK - OtherViews: an Exhibition from the Griffith University Art Collection, Griffith University, Nathan, Queensland,Australia - Goddess, Galerie Lelong, New York City,USA - Re:Action, Jan WeinerGallery, Kansas City, USA - New Visions of the American West, Nassau County Museum of Art, Roslyn Harbor,USA - NewWork,ConnerContemporary Art, Washington D.C., USA - Trauma, Museum of Modern Art, Oxford, UK -Receipts, Abbaye Saint Center dart Contemporain,Meymac, France - Reiseins Ich - Kunstler/ Selbst/ Ich - Kunstler des 20. Jahrhundert inSelbstdarstellung, - SammlungEssl, Klosterneuburg, Austria - Die Unheimliche Frau. Weiblichkeit imSurrealismus, KunsthalleBielefeld, Bielefeld, Germany - a person looks at a work of art . . ., The Michael Buxton Contemporary Art Collection, - November2001- February 2002, Heide - Museum of Modern Art, Victoria, Australia - Feature: art, life and cinema,December 2001 - January 2002,Govett-Brewster Art Gallery, New Plymouth, New Zealand - The Lightness of BeingUnbearable, SommerContemporary Art, Tel-Aviv, Israel - Its a Wild Party and Were Having a GoodTime, Paul MorrisGallery, New York, USA - LUMO 01, Passion, International Photography Triennial, Jyvaskyla Art Museum (Suoja),Gallery Harmonis and the Museum of Central Finland, Finland - ARS 01 Kiasma Museum of Contemporary Art,Helsinki, Finland - TraumaNational TouringExhibition, Hayward Gallery in collaboration with Dundee Contemporary Arts,London, UK -ThePromise of Photography,Schirn Kunsthalle, Frankfurt, Germany - Ha Ha, Revolution Gallery, Ferndale, Michigan, USA - Sixth Annual Photography Auctionand Benefit, Sothebys,New York, USA -Collaborationswith Parkett: 1984 to Now, TheMuseum of Modern Art, New York, USA - Audit, Casino Luxembourg, Luxembourg - 24th International Biennale ofGraphic Arts,Ljublijana, Slovenia -OhneZögern / Without Hesitation!, Neues Museum Weserburg, Bremen, Germany - World Without End: Aspects of20th Century Photography,Art Gallery of North South Wales, Sydney, Australia -Melodrama, Tate Gallery, Liverpool, UK - Telling Tales: The Child inContemporary Photography,CampbelltownBicentennial Art Gallery, Campbelltown, University of South Australia ArtMuseum, Adelaide, and Warnambool Art Gallery, Warnbool, Australia - Australian Art and Society1901-2001,NationalGallery of Australia, Canberra, Australia - Zeitgenossische Fotokunst aus Australien,Stadtisches Kunstmuseum, Chenitz,Germany and Kulterzentrum der Stadt Stuttgart, Germany - Other Peoples Lives, Eyre / Moore Gallery, Seattle,Washington, USA - CompletingIdentities, Center forCuratorial Studies Museum, Bard College, Annandale-on-Hudson, New York,USA - MissingLink,KunsthausDresden, Dresden, Germany - True Fiction, Museum Bad Arolsen, Arolsen, Germany -Begijnhof III, Galeria Estrany-de la Mota, Barcelona, Spain - Anstoss, Kunst, Sport undPolitik, Albrecht DurerGesellschaft- Kunstverein Nurnberg, Nurnberg, Germany - Sport in der ZeitgenossischenKunst,KunsthalleNurnberg, Nurnberg, Germany - Fotokunst der 90 er Jahre aus der Sammlung Sandretto deRebaudengo, KunsthalleKiel, Germany - Encrucijada,Reflexiones en torno a la pintura actual, Sala de la Comunidad de Madrid, Madrid,Spain - Mujeresque hablan de mujeres, EspacioCultural El Tanque, Santa Cruz de Tenerife, Spain - Kunst und Krieg, Symposium, Akademie de Bildenden KunsteWien, Vienna, Austria

 

2000

Raconter desHistories, JohnBaldessari, Fariba Hajamadi, Annette Messager, Tracey Moffatt, GalerieLaage-Salomon, Paris, France - Paper Cuts, RenaBransten Gallery, San Francisco, USA - Ring of Fire, Aotea Centre, Carter Hollt Harvey Gallery,Aukland, New Zealand - Deconstructivism- life back into art,David Pestorius, South Bank Corporation, Brisbane, Australia - Deep Distance - Die Entfernungder Fotografie, KunsthalleBasel, Switzerland - Drive- progress - power - desire, Govett-Brewster Art Gallery, New Plymouth, New Zealand - Veronica\'s RevengeContemporary Perspectives on Photography, Museum of Contemporary Art, Sydney,Australia - CommonGround, University ofTechnology Gallery, Sydney, Australia - All Stars 2000, Roslyn Oxley9 Gallery, Sydney, Australia -Aboriginal Art in Modern Worlds,National Gallery of Australia, Canberra,Australia, State Hermitage Museum, St. Petersburg, Russia, Museo NacionalCentro de Arte Reina Sofia, Madrid, Spain - Sporting Life,Museum of Contemporary Art, Sydney, Australia - Photography Now, Contemporary Art Center, New Orleans,USA - FlightPatterns, Museum forContemporary Art, Los Angeles, USA - Behind the Scenes, The Museum of Contemporay Photography,Chicago, USA - 12th Biennale of Sydney, Art Gallery of New South Wales,Sydney, Australia - LogoMerino, Sheep in Australian art and design,National Wool Museum, Geelong, Australia - Izima Kaoru/ Tracey Moffatt/ BillOwens/ Chris Verene,Rebecca Camhi Gallery, Athens, Greece - Zeitwenden, Kunstmuseum, Bonn, Germany -Zeitwenden, Museum moderner Kunst Stiftung LudwigWien, Austria - PresumedInnocent, capcMuséedArt contemporain de Bordeaux, France - Biennale de Lyon dArt Contemporain,Lyon, France - HansHemmert, Tracey Moffatt, Andres Pinal, Frank Thiel, Fotografos de los anosnoventa en -la collecion CGAC, Sala Alameda de la Diputacion deMalaga, Malaga, Spain -ZeitgenossischeFotokunst aus Australien,NeuerBerliner Kunstverein Berlin, Germany, and Schlossmuseum, Velbert,Germany - Highfive, Galerie Schedler,Zurich, Switzerland - 100al 2000: il Secolo della Fotoarte, Fotology, Bologna, Italy - The Citibank Private Bank Photography Prize2000, The PhotographersGallery, London, UK - MommyDearest, Gimpel Fils,London, UK - 8eBiennale de limage en Mouvement, Centre pour limage contemporian,Geneve Switzerland - Artist Films,Kunstverein Munchen, Munich,Germany - Kinderim 20. Jahrhundert, Mitterlhein-Museum,Koblenz, Germany - Kinderim 20. Jahrhundert,Galerie der Stadt Aschaffenburg, Germany -Telling Tales: the child in contemporaryphotography,Monash UniversityGallery, Melbourne and Bendigo Art Gallery, Australia - Contemporary Group Show, Fifty One Gallery, Antwepen,Netherlands

 

1999

Museum for ModernKunst, Leipzig,Germany - girlsgirls girls,Galerie-Projektraum, Kunsthochule für Medien, Cologne, Germany - Konstruksjon eller virkelighet,Lillehammer Kunstmuseum, Lillenhammer,Norway - LifeCycles,Galerie fürZeitgenossische Kunst, Leipzig, Germany - From film,Victoria Miro Gallery, London, UK - La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, StiftungKunst, Vienna, Austria - Full Exposure: Contemporary Photography, New Jersey Centre for Visual Arts,Summitt, New Jersey, USA - Wohin kein Auge reicht Deichtorhallen, Hamburg, Germany -Das Versprechen der Photographie(The Promise of Photography), Selections from the DG Bank Collection, PS1 Contemporary Art Centre,New York, USA - Rosafür Jungs, Hellblau für Madchen,Neue Gesellschaft für Bildende Kunst, Berlin - In de Ban van de Ring,Provencial Centrum voor beeldene Kunst,Hasselt, Belgium - Kunstweldenim Dialog,Museum Ludwig,Koln, Germany -Female, Wessel & OConnor Gallery, NewYork, USA - Wonderland:Fotomanifestatie Noorderlicht 1999, Noorderlicht fotogalerie, Groningen, TheNetherlands - NuevasVisiones, Nuevas Pasiones,Fundacion Marcelino Botin, Snatander, Spain - A Sangre y Fuego, Espai dart Contempitani de Castellon,Spain - GalerieSchnider, Ettlingen,Germany - Endzeit, Six Friedrich - Lisa Ungar, Munich,Germany - TellingTales, Neue GalerieGesellschaft für bildende, Germany - VH Biennale Internazionale Di Fotografia, Turin, Italy - Macht und Fürsoge, Trinitatskirche Cologne, Germany -Missing Link - Menschebilder in der Fotografie,Kunstmuseum Berlin, Germany

 

1998

Museum vanHedendaagse Kunst Gent,Gent, Belgium - FamilyViewing, Museum ofContemporary Art, Los Angeles, USA - Portraits, Paul Morris Gallery, New York, USA - Echolot, Museum Fridericianum, Kassel,Germany - FotoTriennale Esslingen,Esslingen, Germany - MuseeDepartemantal dArt Contemporain, Rochechouart, France - Artenergie - Art in Jeans, Palazzo Corsini, Florence,Italy -Die Nervenenden an den Fingerspitzen,Die SammlungenWilhelm Schurmann,Kunsthaus Hamburg, Germany - Presumed Innocence, Anderson Gallery, Richmond, USA - Strange Days: Guinness Contemporary ArtExhibition, Art Galleryof NSW, Sydney, Australia - Nature of Man, Lund Konsthall, Lund, Sweden - Roteiros x 7 XXVI Bienal de São Paulo, São Paulo, Brazil - Life is a bitch, De Appel Foundation, Amsterdam,Netherlands - DerMensch (The Human Being),Kunstverein Schloß Plön, Germany - Pusan International Contemporary ArtFestival, Pusan,Korea - Horizont,Brecht Haus amWeisenseeBerlin, Germany - Fleeting Portraits, Neue Gesellschaft für bildende Kunst,Berlin, Germany

 

1997

Aperto, Venice Biennale, Venice, Italy - Group Show, Matthew Marks Gallery, New York,USA -GroupShow, Anthony ReynoldsGallery, London, UK - GroupShow, Roslyn Oxley9Gallery, Sydney, Australia - Printemps de Cahors, Paris, France - Steierischer herbst 97, Graz, Austria - Site Santa Fe, Santa Fe, New Mexico, USA - Campo 6, The Spiral Village, Bonnefanten Museum, Maastricht, Netherlands - Subject to Representation, Gallery 101, Ottawa, Canada

 

1996

Fundacao Bienal deSão Paulo, São Paulo,Brazil - \'Campo6\', The Spiral Village,Museum of Modern Art, Torino, Italy - Jurassic Technologies Revenant, 10th Biennale of SydneyAustralia - Prospect 96,Schirn Kunsthalle, Frankfurt, Germany - Short Stories,Altes Rathaus, Göttingen, Germany

 

1995

AntipodeanCurrents,The GuggenheimMuseum (Soho), New York, USA - Familiar Places, ICA, Boston, USA - 95 Kwangju Biennale, Kwangju, Korea - New Works 95.2, ArtPace, San Antonio, Texas, USA - Perspecta 95, Art Gallery of New South Wales,Sydney, Australia

 

1994

AntipodeanCurrents, The KennedyCenter, Washington, USA - Power Works,Govett Brewster Gallery, New Zealand - Eidetic Experiences, Toured through regional galleries inQueensland, Australia

 

1993

The Boundary Rider, 9th Biennale of Sydney, Sydney,Australia

 

1992

Artists Projects, Adelaide Festival of the Arts,Adelaide, Australia

 

1991

From the EmpiresEnd, Circulo de BellasArtes, Madrid, Spain

 

1990

Satellite Cultures, New Museum of Contemporary Art, NewYork, USA

 

1988

Shades of Light, National Gallery of Australia,Canberra, Australia

 

1987

Art andAboriginality, AspexGallery, Portsmouth, UK

 

1986

AboriginalIslander Photographs,Aboriginal Artists Gallery, Sydney, Australia

 

1984

Pictures forCities, Artspace,Sydney, Australia

 

 

Film and Video asWriter/Director

2003

Love, experimental video(collaboration with Gary Hilberg)

2000

Artist, 10 minute experimental video(collaboration with Gary Hilberg)

1999

Lip,10 minute experimental video(collaboration with Gary Hilberg)

1997

Heaven, 28 minute video (commission - DiaCenter for the Arts) USA

1995

My Island Home, Music Video (Christine Anu)

1994

Let My ChildrenBe,Music Video (RubyHunter)

1993

The Messenger, Music Video (INXS) - Bedevil, 90 minute feature drama (OfficialSelection Cannes 1993)

1989

Night Cries, 17 minute drama (Official SelectionCannes 1990) - ItsUp to You, 9 minutehealth video

1988

Moodeitj Yorgas, 22 minute documentary - A Change of Face, 3 part documentary SBS TV(co-director)

1987

Watch Out, 5 minute dance video, FilmAustralia - NiceColoured Girls, 16minute experimental film

1985

The RainbowSerpent, Documentaryseries SBS TV (Stills Photographer)

 

 

FILM AND VIDEOCOLLECTIONS

 

New York Public Library, NewYork, USA

National Library, Canberra,Australia

State Film and VideoLibrary, Adelaide, Australia

Curtin University, Perth,Australia

Griffith University,Brisbane, Australia

Macquarie University,Sydney, Australia

University of Technology,Sydney, Australia

Sydney University, Sydney,Australia

State Film Centre,Melbourne, Australia

West Australian Film Centre,Perth, Australia

Institute of AboriginalStudies, ANU Canberra, Australia

Fundación “la caixa”,Barcelona, Spain

 

 

 

PHOTOGRAPHYCOLLECTIONS

 

Newcastle Regional ArtGallery, Australia

Bendigo Art Gallery,Bendigo, Australia

Museum of Modern Art, NewYork, USA

Guggenheim Museum, New York,USA

Tate Gallery, London, UK

Museum of Fine Arts Boston,USA

Houston Museum of Fine Arts,Houston, USA

Museum of Contemporary Art,Los Angeles, USA

Brooklyn Museum of Art, NewYork, USA

Refco Inc., Chicago, USA

Linda Pace Collection, SanAntonio, USA

Museet for Santidskunst,Oslo, Norway

Ministère de la Culture,Paris, France

Moderna Museet, Stockholm,Sweden

Museum of ContemporaryPhotography, Tokyo, Japan

DG-Bank, Frankfurt, Germany

Bard College, Annandale onHudson, New York, USA

Centre Galego de ArteContemporanea, S. de Compostela, Spain

The National Museum ofPhotography, Copenhagen, Denmark

Ulmer Museum Ulm, Germany

BayerischeStaatsgemäldesammlungen, Munich, Germany

Folkwang Museum, Essen,Germany

Collection Mr. and Mrs.Felten, Munich, Germany

Collection Mr. Kunne,Hannover, Germany

Sammlung Goetz, Munich,Germany

Louisiana Museum ofContemporary Art, Humlebæk, Denmark

Baroness Lambert Collection,Switzerland

Australian National Gallery,Canberra, Australia

Art Gallery of New SouthWales, Sydney, Australia

Museum of Contemporary Art,Sydney, Australia

National Gallery ofVictoria, Melbourne, Australia

Museum of Contemporary Art,Sydney, Australia

Flinders University,Adelaide, Australia

Queensland Art Gallery,Brisbane, Australia

Griffith University,Brisbane, Australia

Monash University,Melbourne, Australia

Art Gallery of SouthAustralia, Adelaide, Australia

National Library, Canberra,Australia

Art Gallery of WesternAustralia, Perth, Australia

Albury Regional Art Gallery,Albury, Australia

 

Waverly City Gallery, Mt.Waverly, Australia

National Portrait Gallery,Canberra, Australia

Tasmanian State Institute ofTechnology, Hobart, Australia

Albury Regional Art Gallery,Albury, Australia

BP Australia, Melbourne,Australia

Steve Vizard Foundation,Melbourne, Australia

Art Gallery of WesternAustralia, Perth, Australia

Curtin University, Perth,Australia

NRMA Collection, Sydney,Australia

National Gallery ofVictoria, Melbourne, Australia

Art Gallery of WesternAustralia, Perth, Australia

National Library, Canberra,Australia

Parliament House Collection,Canberra, Australia

Artbank, Sydney, Australia

University of Technology,Sydney, Australia

University of Wollongong,Wollongong, Australia

Tasmanian State Institute ofTechnology, Hobart, Australia

Museum Moderner KunstStiftung Ludwig, Vienna, Austria

Buxton Collection,Melbourne, Australia

Trinity College Art Collection,Melbourne, Australia

Air New Zealand Collection,Melbourne, Australia

 

 

 

FILM AND VIDEODISTRIBUTORS

 

Ronin Films, Canberra,Australia - Southern Star, Sydney, Australia - Australian FilmInstitute, Melbourne, Australia - Women Make Movies, New York, USA - KimLewis Marketing, Los Angeles, USA - Circles, London, UK - Jane Balfour,London, UK - Women in Focus, Vancouver, Canada

 

 

 

BIBLIOGRAPHY

2006

Marcia Langton, `Intimateplaces and terrifying spaces\', The Australian, September 6, 2006, p.16

Filippo Maggia (ed.), TRACEY MOFFATT: Between Dreamsand Reality, SkiraPublications, Italy

Queensland Live:Contemporary Art on Tour,exhibition catalogue, Queensland Art Gallery, 2006 pp. 32 - 35

George Alexander, `TraceyMoffatt: In Review, Monash Gallery of Art\', Art Asia Pacific, no. 47, Winter 2006 p. 75-6

2005

Andrea Stretton, `Reading,Tracey Moffatt\', Artand Australia, Vol. 43no. 2 Summer 2005 pp. 282 - 84

Margaret Marsh, MicheleWatts and Craig Malyon A.R.T.2 practice, OxfordUniversity Press, Melbourne 2005 p. 94-5

Samantha Selinger-Morris,“The secret lives of Tracey Moffatt,” Sydney Morning Herald (Spectrum, Cover Story), July 30 - 31,p. 6,7

Sarah Douglas, “TraceyMoffatt: New Work in New York,” Australian Art Collector, Issue 33, July - September, pp. 100 - 105

Moffatt: In Review, MonashGallery of Art NewsletterTracey, Winter 2005, pg 6-8

Helen McDonald, `FrancescaAlfano Miglietti (FAM), Extreme Bodies: The Use and Abuse of the Body in Art\', Art Monthly Australia, June 2005, pg 12

Naomi Cass, `Tracey Moffatt inreview\', Artnotes Victoria, Artmonthly, June 2005, pg46

Annette Larkin, JustinMiller and Damian Hackett, VogueLiving, `going, going,gone…Three auction house experts reveal their top 10 favourite Australianartists to watch…, pg 110, May-June 2005

 

Jill Bennett, FeleicityFenner and Liam Kelly, Prepossession cat., 2005

Tracey Moffatt, `AdventureSeries, Tracey Moffatt,\' (exh. brochure), IMA (Institute of Modern Art),Brisbane, Queensland, Australia Gael Newton, `World of Dreamings\', Nagtionalgallery of Australia, www.nga.gov.au/Dreaming/Index.cfm?Refrnc=Ch9

The World is a Stage,Stories Behind Pictures, exh. cat. Mori Art Museum, Tokyo, Japan

Artlink, Vol. 25 No. 1, Tracey Moffatt\'s AdventureSeries, exhibitions to watch, pg. 76

Georges Petitjean, `TraceyMoffatt, An image of the Undefined\', Sint-Lukas Galerie Brussel, in English & Flemish, April 05,pg. 14

Andrew Frost, `What\'s sofashionable about video art in Australia right now?,\' Photofile, Winter 2005-74,

Gallerie d\'Art & Co, “ABocca Aperte: In Australia `\'arte riesce a togliere il fiato,” 2005

Andrea Stretton, “Readers inthe frame”, art books, art& Australia, Autumn2005, Vol 42, No. 3, pg. 442

Gary Carsley, Reviews,“Tracey Moffatt-The Adventure Series,” photofile, No. 73, Summer 2005, pg. 69

2004

Lisa Gye, “Novamedia: anAustralian First,” www.realtimearts.net/rt62/gye.html

Nellie Castan, “New York -The Armory Show 2004,” ARTEXPO, pg. 30

Kate Rhodes, “When yourHeart is Troubled: Tracey Moffatt\'s Night cries,” colour power, Aboriginal art post 1984, National Gallery of Victoria, pg.144

TraditionToday: Indigenous Art in Australia, cat., curated by Hetti Perkins, Ken Watson andJonathan Jones,Art Gallery of NewSouth Wales, Sydney, pg. 90

Catherine Summerhayes,“Haunting Series: Tracey Moffatt\'s bedevil,” Film Quaretrly, Fall 2004, Volume 58, pg 14 - 24

Lauren Dalla, “Depth ofField”, www.portrait.gov.au/content/exhibit/dof/more/htm

Ron Radford, “LOVE,” IMANewsletter, February-June 2005, p. 5

Tracey Moffatt, “AdventureSeries,” IMANewsletter,February-June 2005, p. 5

Ken Bolton, “AustralianWomen Artists: Sailing to Tahiti,” Jamini: International Arts Quarterly, November, p. 68 - 79

Ruth Skilbeck, “TraceyMoffatt,” POLOxygen (SpecialCollector\'s Issue), Issue 10, p. 44 - 52

Emma Muhlberger, “One SquareMile: Brisbane Boundaries, Museum of Brisbane,” Eyeline #54, Winter, p. 52, 53

Margo Neale and TimothyMorell, “Who\'s Laughing: Humour in Indigenous Australian Photography,”Photofile, issue #72, Spring 2004, p. 54 - 57

Darren Tofts, “Good Looking: NarrativePhotographs Past and Present, Ian Potter Centre, NGV,”Photofile, issue #72, Spring 2004, p. 71 - 73

Fiona Prior, “art review:Tracey Moffatt\'s Adventure Series,” August,http://www.chaosgeneration.com/art_reviews/tracey_moffatt.htm

Fiona Prior, “The Artful MsMoffatt ..., “ I August, http://www.henrythornton.com/article.asp?article_id=2734

Tracey Moffatt, “The Storyof Tracey Moffatt\'s AdventureSeries photo shoot inBrisbane, Australia,” Roslyn Oxley9 Gallery, Sydney, Australia

Carmel Dwyer, “Moffatt\'sadventure art soars to $3.5m,” The Weekend Australian Financial Review, August 7-8, p. 8

Peter Hill, “Better bydesign…,” SydneyMorning Herald, August7-8, p. 8, 9 (Spectrum)

Dominique Angeloro, “StripDown,” SydneyMorning Herald, August6, p. 26 (Metro)

Jeni Porter, “Bursting withtalent,” Sydney MorningHerald, July 31 -August 1, p. 22 (News)

Victoria Hynes, “TraceyMoffatt - Adventure Series,” The (Sydney) Magazine, Wednesday 28 July 2004, p. 94

David Broker, “The AdelaideBiennial of Australian Art,” Eyeline#54, Winter, p. 44 - 46

Alison Kubler, “Brisvegas:Little city, big history - OneSquare Mile: Brisbane Boundaries at the Museum of Brisbane,” Art Monthly Australia #169, May 2004, p. 31 - 33

Nyanda Smith, “TraceyMoffatt,” CauseCelebre, April - May2004

Lauren Dalla, “Depth ofField,” Portrait #12, National Portrait Gallery,Canberra, p. 20 - 24

Ruark Lewis, “Review: TraceyMoffatt, Museum of Contemporary Art,” Photofile #71, Winter 2004, p. 66

Marie Bonnal, “Review:Tracey Moffatt, John Curtin Gallery,” Photofile #71, Winter 2004, p. 66, 67

Harper\'s Bazaar Australia,Portraits: Tracey Moffatt,” April, p. 125

Ruth Hessey, “Moffatt is ahuge hit wherever she goes. Ruth Hessey explains why.”, Australian Art Review, Issue 4, March -June 2004, p. 62-63

Elizabeth Ann Macgregor Tracey Moffatt, exh. cat., Museum of Contemporary Art,Sydney, Australia 2004

Michael Fitzgerald, “NotDying, Changing,” TIME, March 22, 2004, p. 62, 63

Russell Smith, “TraceyMoffatt: The International Look,” Broadsheet,Feb-May, vol. 33 no. 1, p. 36 - 38

Natalya Lusty, “Somethingmore about Moffatt,” TheAustralian Financial Review,Friday 27 February, p. 8, 9

Robert Nelson, TraceyMoffatt: Museum of Contemporary Art, Sydney,” The Age, January 14, 2004

Patricia Anderson, “Polishedrituals of looking,” WeekendAustralian, January3-4, 2004, p. R19

Poppy Diamantadis, “Traceyin My Room,” Cream 18 (entrée), 2004

Geoffrey Maslen, SomethingMore - After Record Year, Sdyeny Morning Herald, February 2004

2003

Editor: Lisa French,Catherine Summerhayes, “Women Vision: Women and the Moving Image in Australia,”Women Vision, pg. 267

Catherine Summerhayes, “Whoin Heaven? Tracey Moffatt: Men in Wet-Suits and the Female Gaze,”Journal of Narrative Theory 33.1, Winter 2003, pg. 63.

Peter Hill, “Once is notenough,” SydneyMorning Herald (Spectrum),December 26-28, p. 18,19

“Tracey Moffatt,” The (Sydney) Magazine, Sydney, p. 118

Michael Fitzgerald, “Heartsin the picture,” TimeMagazine (Australia),December 22

Lenny Ann Low, “Zooming inon an artful tease,” SydneyMorning Herald (Metropolitan), Tuesday 16 December 2003, p. 14

Eve Sullivan, “The Juveniliaof Tracey Moffatt,” Art& Australia,Summer, vol. 41, no. 2, 2003, p. 232 - 239

Collecting, Vogue LivingAustralia, October/November 2003, p. 102

Something More Than FiveRevolutionary Seconds, Exhibition Catalogue, Fondazione Davide Halevim, Milan

Ashley Crawford, `TraceyMoffatt,\' See Here Now: Vizard Foundation Art Collection of the 1990s, editorsChris MacAuliffe and Sue Harvey, Ian Potter Museum of Art, Thames and Hudson(Australia) Pty Ltd, Victoria, p. 90 - 93

Daniel Palmer, `TraceyMoffatt,\' Monash University Collection: Four Decades of Collecting, ed.Jenepher Duncan and Linda Michael, Monash University and Monash UniversityMuseum of Art, Victoria, 2003, p. 87

Cathy Leahy, `The offsetimage: prints in the Collection,\' Monash University Collection: Four Decades ofCollecting, ed. Jenepher Duncan and Linda Michael, Monash University and MonashUniversity Museum of Art, Victoria, 2003, p. 37 - 39

Tracey Moffatt, \'ShanghaiSurprise - Artist Tracey Moffatt adventures in China,\' V Magazine,no. 23,May/June, New York

Margaret Plant, `The Journeyfrom Field to Fieldwork 1968 - 2003,\' Eyeline # 51, Autumn - Winter, 2003, p.44 - 46

Zara Stanhope, `Take a GoodLook at My Face, Love at First Sight: artists and their relationship with thecamera,\' Eyeline # 51, Autumn - Winter, 2003, p. 26 - 29

Clara Laccarino, `CollectorsArt,\' Sun-Herald (Sunday Metro), July 13, 2003, p. 9

Katrina Strickland, `Blacklives viewed from the inside,\' The Australian (Arts), Thursday May 29, p. 14

Stuart Koop, `Fieldwork:Australian Art 1968 - 2002, Broadsheet, vol. 32, no. 1, March, April, May, p. 8- 11

Juliam Raxworthy, `Love atFirst Sight,\' Photofile #68, April, p. 69, 70

Isobel Crombie ed.,Flagship: Australian Art in the National Gallery of Victoria, 1790 - 2000, TheIan Potter Centre, National Gallery of Victoria, Melbourne, p. 67, 74

Elizabeth Sarks, TraceyMoffatt: 50 Most Collectable Artists, Australian Art Collector, Issue 23,January - March

6ft clean: surf art,exh. cat., Manly Art Gallery, Gold Coast City Art Gallery, Noosa RegionalGallery, Perc Tucker Regional Gallery, Rockhampton Art Gallery, Coffs HarbourCity Art Gallery, Manly Art Gallery and Museum, Mornington Peninsula RegionalArt Gallery, Australia

Fast Forward, ExhibitionCatalogue, Sammlung Gotez, Munchen, Aesstellungsdauer, Germany

Xin Rui She Ying, ExhibitionCatalogue, Shanghai, China

Quaderns d arquitectura iurbanisme, Exhibition Catalogue, 237 The Subruban Unconscious, Spain

kunstforum Baloise,Exhibition Catalogue, Zwischenbilanz, Neuerwerbungen, Baloise-Gruppe, Basel

Family Ties, ExhibitionCatalogue, Peabody Essex Musuem, Salem, Massachusettes, USA

Just Love Me, ExhibitionCatalogue, Fries Museum Leeuwarden, Leeuwarden (2004), Bergen Art Musuem,Bergen (2003), Sammulung Gotez, Munich (2002-2003), Staatliche KunsthalleBaden- Baden (2002)

Courier-Mail, Cool in Cameraby Sandra McLean, March 29, 2003

New Wave, Shanghai Surprise:Artist Tracey Moffatts Adventures in China by Mia Fineman, V Magazine, May/June2003

Calender, Cary EstesLeitzes, Jessica Green, Danko Steiner, essay by Ann Beattie, April page

Museum of Contemporary ArtExhibition Program Catalogue, Spring/Summer 2003-2004

Entertainment Guide, CityWeekend January 9-January 22, 2003

Scene Shanghai, January, 1,2003

High: art, our city and us,January 2003, Shanghai

Diary, William Petley, TheSun-Herald,September 21, 2003

2002

Hannah Fink in emailconversation with Hetti Perkins and Nikos Papastergiadis, “Forking Tongues,”Asia-Pacific Triennial of Contemporary Art cat., 2002, pg. 116.

Catherine Summerhayes, “Filmas Transformative Play in the Art of Tracey Moffatt,” INTER Sections, Vol 2, 2002, pg. 177

Charles Green, `Into the1990s: the decay of postmodernism,\' Fieldwork: Australian Art 1968 - 2002, exh.cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002to February 2003), p. 100 - 111

John McPhee, `City Life: DeSydney à Melbourne,\' Paris Photo Magazine International, no. 22,Septembre/Octobre 2002, p. 124 - 131

Ross Gibson, `Poise: a briefmeditation on the work of six photographers,\' Points of View exhibitioncatalogue, University of Technology Sydney Art Collection, UTS, Sydney

Cover, Art Monthly Australia#156, December 2002- February 2003

Kim Appleby, `Aself-portrait in focus,\' Portrait #6, National Portrait Gallery, Canberra,Summer, p. 7

Chris Chapman, `Three usesof photography,\' Photofile no. 67, December 2002, pp. 4-8

2nd Sight Australian Photography in theNational Gallery of Victoria, exh. cat., National Gallery of Victoria,Melbourne, 2002, p. 97

Tracey Moffatt, PaulaSavage, Lara Strongman Exhibition catalogue, City Gallery Wellington, 2002, NewZealand - Melodrama. Lo excesivo en la imaginacion postmoderna, exhibitioncatalogue, Centro-Museo Vasco de Arte Contemporaneo, Vitorio-Gasteiz,Spain - Hollywood Revisited exhibition catalogue, Aarhus Kunstmuseum,Aarhus, Denmark - Veczoennections, Contemporary Artist from Australia,exhibition catalogue, curated by Branca Stipancic, House of Croatian Artists,Zagreb, Croatia - True Fiction, Inzinierte Foto-Kunst der 1990 er Jahre,exhibition catalogue, Ludwig Forum fur Internationale Kunst, Aachen, Germany - Imagesof Australian Men: Photographs from the Monash Gallery of Art Collection, AMonash Gallery of Art Travelling exhibition catalogue, May, 2002,Australia - Lisa Fischman, Studio Visit: Neither Win, Place nor Show, ArtPapers Magazine, July/August 2002, USA - Michael Fitzgerald, `Brand NewGaze,\' Time Australia, July 2002, Australia - Katerina Gregos, `TraceyMoffatt,\' Contemporary, January 2002, UK - E. Ann Kaplan, `Between thePsyche and the Social, Psychoanalytic Social Theory,\' Trauma, Cinema,Witnessing, 2002, England - Fiction and History: A Science of DisputedSigns, Mcgraw, Hesse, Review, May/June 2002 - Alice Throson, `EverythingHere is Not What it Seems,\' The Kansas City Art Star, May 3, 2002 - GeoffMaslen, `Painting by Numbers: Smart Art Fetches $200,000,\' The Daily Telegraph,April 27, 2002, Australia - `Zahranchi> Umelecky svet po 11. Zari 2001,\'Atelier 5, March 2002 - Jerry Cullum, `The Excellence of the Also-Rans,\'The Atlantic Journal-Constitution, March 22, 2002, USA - Felicia Feaster,`Loser,\' Atlanta.CreativeLoafing.com, March 20-26, 2002, USA - HarpersBazaar, `Just Like a Woman,\' March 2002, USA - Geoffrey Maslen, `SomethingMore - After Record Year,\' SMH.com, February 4, Australia - `Canvas,\' ArtNews, February 2002, USA - Jeff Gibson, `Preview,\' Artforum, January 2002, USA - `TraceyMoffatt: Joslyn Art Museum, Omaha,\' The Artnewspaper, February 2002,USA - `Dolores Clairborne y Cenicienta: Entre cuentos de hadas,\' CeliaPrado, Exit, Nov./Jan, 2001-2002, Spain - `Art, Looking Back,\' InterviewMagazine, Dec./Jan. 2002, USA - Carlo McCormick, `Tracey Moffatt, ArtsDrama Queen,\' Paper, December/January, 2002, USA - Tracey Cooper, `TheEnduring Glance: 20th Century Australian Photography from the CorriganCollection,\' Antiques & Art in Victoria - Bendigo Art Gallery, Victoria,Australia - Geoff Maslen, `Nine Photographs Sell for $226,575,\' The SydneyMorning Herald, June 26, 2002, Sydney, Australia - Gareth Evans, `Betweenthe Lines: Dial T for Trauma,\' Sight & Sound, March 2002, UK - `TraumaOxford,\' Guardian Guide - Exhibitions, January 26, 2002, UK

Gregory Williams, `BetterLuck Next Time,\' Cabinet, Summer 2002, USA

2001

“Three Days of Lectures andDiscussions at the ARS 01 Exhibition,\' Unfolding Perspectives: Museum ofContemporary Art Kiasma, September 2001- January 2002 - Neil Jones, `Art andSociety Interact in this `Must See" Show,\' Halstead Gazette (Essex),October 5, 2001, UK - Nicky Bird, `Trauma,\'Art Monthly, September 2001,UK - `Previews,\' Art Review, September, 2001, UK - FrancescaCalvocoressi, `Exhibition Reviews: The World in which We Live,\' YoungMindsMagazine, No. 54, 2001, UK - `A Journey into Disturbing Places,\' FinancialTimes: The Arts (Visual Arts Scotland), July 17, 2001, UK - John Calcutt,`Reviews: Trauma,\' Scotland on Sunday, July 2001, UK - Elizabeth Mahoney, `Arts:Scared for Life,\' The Guardian, July 14, 2001, UK - Heather Neill,`Artbeat,\' Times Educational Supplement, September 14, 2001, UK - SharonVerghis, `Australia . . . land of the rising art sales,\' Sydney Morning Herald,November 13, 2001, Australia - `ARS 01,\' Tema-Celeste: Contemporary Art,November - December 2001, Finland - Helen McDonald, `Erotic Ambiguities,The Female Nude in Art,\' Routledge, London, UK - Katie Pollock, `TraceyMoffatt: Invocations,\' The Perfect Week: Visual Arts, The Bulletin, July 17,2001, Canberra, Australia - Gabriella Coslovich, `Moffatt\'s Ever ExpandingProfile,\' The Age, May 2, 2001, Australia - Georgina Safe, `Taking the LongMarch into Asia,\' The Australian, April 20, 2001, Australia - Terry Ingram,`Market Cracks as Buyers Hold Back,\' The Australian Financial Review, November30, 2001, Australia - `Hautnah Die Sammlung Goetz,\' Hautnah Die SammlungGoetz exhibition catalogue, August 2002, Germany - `Tracey Moffatt,\' ArtAsia Pacific, Issue 26, 2001, Australia - Maria Vlahou, `Guest: Tracey Moffatt,\'Ozon October 2001, Greece - Marina Sorbello, `Contemporary Art JamboreeGoes Global,\' The Artnewspaper, No. 112, March 2001, USA - FranklinSirmans, `Art Review,\' Time Out, November 22-29, 2001, USA - Linas Alsenas,` Calendar,\' Interior Design, November 2001, USA - Edward Fox, `Art,\'Jalouse, November 2001, USA - Jessica Dawson, `Moffatt: This Dogma CanBite,\' The Washington Post, October 18, 2001, USA - Leah Ollman, `SwitchingRoles in Identity Power Plays,\' Los Angeles Times, April 25, 2001,USA - `Photo Narratives: Where Fiction Meets Reality,\' The ChronicleReview, April 20, 2001, USA - Devorah L. Knaff, `Digital Artistry RaisesSerious Issues,\' The Press Enterprise, April 20, 2001, USA - Charles Hand,`UCR Presents Images of Culture, Sex, and Age: Australian Photographers WorkSeems to Have Taken over Museum,\' The Californian, April 19, 2001,USA - Mitra Abbaspour, `Tracey Moffatt,\' Fototext: UCR-California Museum ofPhotography, Spring 2001, USA - Von Elke Buhr, `Vierte Sieger: Neue Bilder& ganze Dramen von Tracey Moffatt in der L.A. Galerie Albrecht inFrankfurt,\' Kulterspiegel, Frankfurter Rundschau, Oktober 2001, Frankfurt,Germany - Catherine Summerhayes, `Still Film: Tracey Moffatts Invocationsand bedevil,\' Photofile, December 2001, Australia - Brigitte Reinhard,`Tracey Moffatt,\' Int. Biennial of Graphic Arts, 2001, Ljublijiana,Slovenia - Boris Kremer, `Less Words,\' Audit, 2001, Luxembourg,Luxembourg - Chris Bollen, `Beautiful Losers,\' V Magazine,November/December, 2001, USA - Ben Widdicombe, `Consuming Passion,\' Jalouse,Premiere Issue, 2001, USA - Rosalind C. Morris, `Tracey Moffatt: Laudanum,\'Connect bi-yearly Magazine, 2001, New York City, USA - Helen A. Harrison,`Aboriginal Artist Faces Attitudes in Her Culture,\' New York Times, Sunday,February 25, 2001, USA - Fred A. Bernstein, `Quick Learner,\' Elle Décor,February/March 2001, USA - Art News, `Tracey Moffatt on the Last of theNuba,\' February 2001, USA - Rex Butler and Morgan Thomas, `From SomethingSingular… To Something More,\' Eyeline, Autumn/Winter, 2001, Australia - DoreenMellor, `Invoking Tracey Moffatt,\' MUSE, August 2001, Australia - PennyWebb, `A $74,000 auction record holder makes the pace with a portfolio ofOlympic losers,\' The Sydney Morning Herald, Friday, August 3, 2001, Sydney,Australia - `Fictional world high in drama,\' Canberra Sunday Times, August12, 2001, Canberra, Australia - Tony Oates, `Moffatt\'s Invocations portrayenigmatic world,\' ANU Reporter, August 17, 2001, (Vol. 32, No. 12),Australia - Myra McIntyre, `Childhood fantasies recalled,\' Canberra Times,August 11, 2001, Canberra, Australia - Penny Webb, `Leaps and boundaries,\'The Age, Friday, August 3, 2001, Australia - Peter Gotting, Buyer goes forsomething more,\' The Age, Thursday, August 2, 2001, Australia - PeterGotting, `Looking for the next new thing in art? Its a snap,\' The SydneyMorning Herald, Wednesday, August 1, 2001, Sydney, Australia - CassieProudfoot, `Fractured Fantasy,\' Canberra Times, Times Out, July 19, 2001,Canberra, Australia - Andrew Sayers, `In Our Own Image,\' The AustralianFinancial Review Magazine, January 2001, Australia - Hossein Valamanesh,`Visual Arts,\' The Bulletin with Newsweek, July 17,2001, NewZealand - Miguel Icassatti e Juliana Werneck, `Heaven, Ela subiu aos cues,\'TPM, Trip.parpa.mulher, July 2001, Brazil - Ulrike Lehnmann, `ZwischenWirklichkeit und Fiktion,\' Women Artists, Tashen, 2001, Koln,Germany - Angela Lampe, `Tracey Moffatt, Die Unheimliche Frau,\' KunsthalleBiefeld, September 2001, Germany - Christian Muckl, `Gleiten in derGalerie,\' Feuilleton, September 15, 2001, Germany - Olaf Prytzbilla, `Tanz-Ritualeauf dem Rasen: Eine Ikonografie des Sports,\' Die Welt, September 22, 2001,Germany - F.J. Broder, `"England grußt den Fuhrer," BayerisheStaatszeitung und Bayerischer Staatsanzieger, September 21, 2001,Germany - Samuel Herzog, `Tracey Moffatt: Abenteuerliches Pasticcio,\'Basler Magazin, Beilage der Basler Zeitung, Nr. 19, May 2001, Basel,Switzerland - `Die Schopfung, Sieben Szenen,\' DU- Die Zeitschrift derKultur, No. 718, Zurich, Switzerland - Anna Brodow, `ModigUniversitetskonst lamplig for illustration," Lordagen Den, March 3, 2001,Stockholme, Sweden - Sonia Hedstrand, `Minnen och fordomar,\' Arbetaren16.2-22.2, Stockholme, Sweden - Milou Allerholm, `Koloniala bindingar ochuppbrott,\' DN, Stockholme, Sweden - Marja-Terttu Kivirinta, `Tukholmannayttelykarrtta on runsas,\' Helsingin Sanomat, March 5, 2001, Stockholme,Sweden - Gunila Grahn-Hinnfors, `Coolt eller ilsket,\' Goteborgs-PostenLordag, March 3, 2001, Godeborg, Sweden - Nils Forsberg, `Resa via MadMax,\' Expressen, February 22, 2001, Stockholme, Sweden - `Fotokunst der 90er Jahre aus der Sammlung Sandretto Re Rebaudengo, Turin,\' Katalog, EditionOehrli, Zurich, Schweiz - Sacha Craddock, `Tracey Moffatt,\' Tema Celeste,86/2001, Milano, Italy - Audit, Casino Luxembourg, Forum dart Contemporain,Otto Berchen, Chris Burden, Nathan Coley, Gadar Eide Einarsson, MichaelElmgreen & Ingar Dragset, Peter Friedl, Tracey Moffatt, Muntadas, MarjetaPotrc, Antoine Prum, Michael Stevenson, Barbara Yisser, September 2001,Luxembourg - `Gewinner der goldenen Ananas,\' Frankfurter AllgemeineZeitung, December 29, 2001, Frankfurt, Germany - `Un mundo adolescente/Teenage World,\' EXIT, imagen y cultura, No. 4, November 2001, Madrid,Spain - International Biennial of Graphic Art, Exhibition catalogue,International Center of Graphic Arts, Lujblijana 2001, Slovenia - ReisenIns Ich, Kunstler/ Selbst/ Bild, Exhibition catalogue, Sammlung Essl, 2001,Klosterneuburg, Austria - `Tracey Moffatt,\' The New Yorker, November 24,2001, New York, USA - `The 1st Valencia Biennale, Communication between theArts,\' Exhibition catalogue, Generalitat Valencia, Chartha, Valencia,Spain - Sport in der Zeitgenossischen Kunst, Exhibition catalogue,Kunsthalle Nurnberg, 2001, Nurnberg, Germany - Mujeres que hablan demujeres, Exhibition catalogue, Espacio Cultural El Tanque, S. Cruz de Tenerife,Spain - Marie Feliciano, `The World of Tracey Moffatt,\' Taiwan News,Sunday, August 12, 2001, Taiwan - Elisabeth Mahoney, `Tracey Moffatt,\' TheGuardian, Thursday, April 19, 2001, UK - Sally OReilly, `Tracey Moffatt,\'Time Out, April 17, 2001, UK - Sebastian Smee, `Just Dont call me anAboriginal artist,\' Independent, Sunday, April 16, 2001, UK - Neil Cameron,`An Aboriginal original,\' The Scotsman, April 10, 2001, UK - SusannahThompson, `Tracey Moffatt,\' The List, April 26, 2001, UK - EveningStandard, `From Tomorrow, Art,\' March 27, 2001, UK - `Review: TraceyMoffatt,\' Ed, On Magazine, April-May, 2001, UK - Frances Amble,`Insightful,\' Student Newspaper, May 19, 2001, UK - Helen Monaghan, `TraceyMoffatt,\' The List, March 29, 2001, UK - Fisun Guner, `Tracey Moffatt:Invocations,\' Metro Life, May, 2001, UK - Moira Jeffrey, `Little MissMoffatt,\' Sunday Herald, April 15, 2001, UK - Moira Jeffrey, `The World ofWounds,\' The Herald, July 13, 2001, UK - `Trauma,\' Scotland on Sunday -Art, July 8, 2001 - Alison Middleton, `Exploring Traumatic Experiences,\'Press & Journal, July 7, 2001, UK - `Cultural Devolution?,\' TateMagazine, Summer 2001, UK - John Beagles, `Art: Trauma,\' The List, July 5 -19, 2001, UK - `Amber Cowans choice: Trauma,\' Play, July 7-13, 2001, UK

2000

Gael Newton, `World ofDreamings\', www.nga.gov.au/Dreaming, November 2000

Telling Tales: the child incontemporary photography, Catologue, Monash University Gallery, July 2000,Victoria, Australia - Richard Lacayo, `Pictures From An Exhibitionist,\'Time Magazine, 13 November 2000, USA - Victoria Laurie, `A Century inGraphic Detail,\' The Australian Magazine, 2000, Sydney,Australia - Corneilia H. Butler, Flight Patterns (catalogue), Museum for ContemporaryArt, 2000, Los Angeles, USA - David S. Rubin, `Photography Now(catalogue),\' Contemporary Art Center, 2000, New Orleans, USA - InsidePhotography,\' Terrington Calas, New Orleans Art Review, September/October 2000,New Orleans, Louisiana - Doug McCash, `New Developments,\' Lagniappe, 14July, 2000, New Orleans, Louisiana - D. Eric Bookhardt, `The New NewThing,\' Gambit Weekly, August 8, 2000, New Orleans, Louisiana - ElenaVozmeino, `Tracey Moffatt, Los Sueños,\' El Cultural, El Mondo, May, 2000,Madrid, Spain - `Moffatt presenta una serie sobre `miedos y sueños\' através de fotserigrafias,\' El País, 10 May, 2000, Madrid, Spain - JuanVincente Aliaga, `A Sangre Y Fuego: Imatges de la Violéncia a lartcontemporani,\' (essay), A Sangre Y Fuego, Spain - Michael Guerrin, `Lesphotos fabriquées de lénigmatique Tracey Moffatt,\' Le Monde, January 7, 2000,Paris, France - Susie Linfield, `Eclectic Eye,\' Artnews, February, 2000,New York, USA - Bridgit Somma, `Arbeiten im Schnittfeld von Mode, Designund Feminismus,\' (active on the interface between feminism, fashion anddesign), Lufthansa Magazine No. 4, April, 2000, Germany - Simona Cresci,`Un artista australiana da seguire con grande interesse,\' Time Out, Roma, No.48, December 7-13, 2000, Italy - Cabello/Carceller, `“Mi trabajo es decaracter universal,\' Photo Periodico, June, 2000, Madrid, Spain - OscarAlonso Molina, `Tracey Moffatt,\' Arte y Parte, No. 26, pg. 134, April-May,2000, Santander, Spain - `Festival Off, las galerias se abren a laforografia,\' El Punto, Año XV, No. 573, Pg. 8, June 9-15, 2000, Madrid,Spain - Carlota de Alfonso, `Tracey Moffatt: Invocaciones,\' El Punto, AñoXV, No. 569, Pg. 4, May 12-18, 2000, Madrid, Spain - Paco Barragan, `TraceyMoffatt,\' ABC Cultural, No. 437, Pg. 36, June 2000, Madrid, Spain - Juan Botella,`Tracey Moffatt: Invocaciones,\' Anticuaria, No. 184, Pgs. 58-60, June 2000,Madrid, Spain - Santiago B. Olmo, `Sueños de ficcion,\' Lapiz, No. 164,2000, Spain - Lynne Cooke, `Tracey Moffatt, Sydney Biennale 2000,\' 12thBiennale of Sydney Catalogue, May 26-July 30, 2000, Sydney,Australia - Roni Feinstein, `The Biennale of Reconciliation,\' Art inAmerica, pg. 39, December, 2000, USA - Christine Temin, `Dreamscape ofdarkness,\' The Boston Globe, September 29, 2000, Boston, USA - Joseph D.Ketner, `Tracey Moffatt: Invocations,\' Rose Art Museum, Invocations showcatalogue, September 5-October 22, 2000, Boston, USA - Susan Shepard, `TheFine Art of Photography,\' New England News Group Agency, September 20, 2000,Boston, USA - `Calender/Choice,\' The Boston Globe, August 31, 2000, Boston,USA - Duncan McLaren, `Citibank Private Bank Photography Prize,\' on Sunday,20 February 2000, London, UK - `5 Photographs at Citibank Display,\' TheNews Line, 23 February, 2000, London, UK - Catherine Etoe, `They ShootHorses, Don\'t They?,\' The West End, 18 February, 2000, London, UK - JohnMcEwan, `Portraits of an Artist,\' The Sunday Telegraph, 5 March 2000, London,UK - Midori Kimura, `Interview with Tracey Moffatt,\' BT (Bijutsu Techo),vol. 52 no. 784, March 2000, Japan - Very New Art 2000, (Millenniumspecial), BT (Bijutsu Techo), vol. 52 no. 782, January 2000, Japan - Viewsfrom the Last Century: Tracey Moffatt, Anderson & Low, Image: The Magazineof the Association of Photographers no. 292, January 2000, London,UK - Holland Cotter, `Art in Review: Tracey Moffatt,\' The New York Times,31 March, 2000 New York, USA - Australias 50 Most Collectible Artists,Australian Art Collector, no. 11, January-March 2000, Sydney,Australia - Tracey Moffatt, (photo section), Time Out New York, 2-9 March2000, USA - Carol Squires, `Tracey Moffatt,\' American Photo,January/February 2000, USA - Niru S. Ratman, `They Shoot Horses, DontThey?,\' The Face no.38, March 2000, New York, USA - Contents, Vogue HommesInternational, Spring/Summer, 2000, UK - Simon Rees, `Make-Believe,\' Pavement,No. 39, February/March 2000, Auckland, New Zealand - Jonathan Turner,`Trace Element,\' Black White Magazine, No. 41, February 2000, Sydney,Australia - `Arts Cool,\' W Magazine, January 2000, New York,USA - Judith Benhamou-Huet, `Lactualite des galeries Parisiennes de FrancisBacon, Shirin Neshat, Tracey Moffatt, nouvelle referance,\' Les Echos, 7 January2000, Paris, France - En bref: Tracey Moffatt, Faisons rêve, Le Figaro, 4January 2000, Paris, France - Yan C., `Histoires de Femmes, Tracey Moffatt,La Reveuse,\' Jalouse, January, Paris, France - Philippe Regnier, `Chocolatamrer, marmelade et contes de fees,\' January 2000, Paris,France - `Familien-album,\' Album Magazin Frankfurter Rundschau, September 92000, Frankfurt, Germany - Lara Travis, `Mirage: Drysdale and Moffatt inthe Australian outback,\' Art & Australia, vol. 37 no. 4, 2000,Australia - Belinda Gibbon, `In focus: Contemporary photography can be afar-sighted investment,\' The Sydney Morning Herald, 15 March 2000, Sydney,Australia - Sebastian Smee, `The pain remains the same,\' The Sydney MorningHerald, February 26, 2000, Sydney, Australia - Robert Cook, `Moffattreveals her new scars,\' The West Australian, Perth Australia, 5 April 2000,Sydney, Australia - Présumes innocents - Lart contemporain et lenfance(exhibition catalogue), CapcMusée dart contemporian de Bordeaux, 2000,Bordeaux, France - Kinder des 20. Jahrhunderts (exhibition catalogue),Galerie der Stadt Aschaffenburg & Mitterlhein-Museum, Koblenz,Germany - Lucien Lecarme, `Tracey Moffatt - Laudanum,\' Museumkr@nt, 12 June2000, Holland - Jonathan Turner, `Tracey Moffatt,\' Contemporary Art, 2000,Holland - Maartje den Breejen, `De roes van de Australische TraceyMoffatt,\' Rarool, May 2000, Holland - Eerste museale expositie van deAustralische Tracey Moffatt in Helmond, Cranpetter, April 2000,Holland - Paola van dee Velde, `Herkenbare gevoelens bij Tracey Moffatt,\'De Telegraf, 2000, The Netherlands - Angelique Spaninks, `Broeierig downunder,\' Eindhovens Dagblad, April 2000, Holland - Angelique Spaninks,`Buiden voor de larzen van een motorduivelin,\' De Stern, May 2000,Holland - Rutger Pontzen, `Egocentrisch zelfbeklag,\' Urij Nedeland, May2000, Holland - Karen Duking, `Wat gebeurde er met het aboriginalmeisje,\'Dagbald de Limburger, May, 2000, Holland - Sandra Smallenburg, `Kracht vanMoffatt ligt in wat ze niet vertelt,\' NRC Handelsblad, May 2000,Holland - Esma Moukhtar, `Spookverhalen en,\' Skrien, June 2000,Holland - Oscar Alonso Monlina, `Tracey Moffatt,\' Arte y Parte, No. 26,April/May, 2000, Santander, Spain - Ana Martinez-Collado, `Tracey Moffatt,\'www.arts.zin, 2000, Spain - Eugenio Castro, `Por las riberas del sueño,\' LaRazon, June2000, Madrid, Spain - Mette Sandbye, `Down Under,\'Weekenddavisen, 11-17 February 2000, Denmark - Tom Jorgensen, `Flotudstilling af den australske Tracey Moffatt,\' Ekstra Bladet, 2 February, 2000,Denmark - Camilla A. Stockmann, `Laudanum,\' Nat & Dag, 5 February 2000,Denmark - Malene La Cour Rasmussen, `Dramatiske drome,\'Jyllands-Posten/Morgen visen, 10 March 2000, Denmark - Sarah Kent, `MommyDearest,\' Time Out, 11-17 July 2000, London UK - Bruce James, `Breaking TheSpell,\' The Sydney Morning Herald spectrum, August 5 2000, SydneyAustralia - Jan Mckemish, `When Crimes an Art,\' The Courier Mail, August 122000, Brisbane, Australia - Michele Hewitson, `Weird scenes and outback stories,\'New Zealand Herald, January 31 2000, Auckland, New Zealand - T.J.Macnamara, `Fresh eye on the familiar,\' New Zealand Herald, February 14 2000,Auckland, New Zealand - Peter Simpson, `Up in the Sky and Heaven,\' SundayStar Times, February 20 2000 Auckland, New Zealand - Stephen Mckee,`Landascape in variate - Landscape in variation,\' Archis no. 8, Doetinchem,2000, The Netherlands - Greg Burke & Hanna Scott,`Drive-progress-power-desire (catalogue),\' Govett-Brewster Art Gallery, NewPlymouth, New Zealand - Bernice Murphy, `Zeitgenossische Fotokunst ausAustralian (Contemporary Photographic Art from Australia),\' Neuer BerlinerKunstverein, 2000, Berlin, Germany - Judy Annear, `World Without End:Aspects of 20th Century Photography (catalogue),\' Art Gallery of New SouthWales, 2000, Sydney, Australia - Samantha Vawdrey & Katarina Paseta,`Telling Tales: The child in contemporary photography (catalogue),\' MonashUniversity Gallery, Melbourne, Australia - Wally Caruana, `Aboriginal Artin Modern Worlds (catalogue),\' National Gallery of Australia, 2000, Cranberra,Australia - Sporting Life (catalogue), Museum of Contemporary Art, 2000,Sydney, Australia - Francisco Calvo Searraller, `Fin de Siglo,\' El País,Agosto 26, 2000, Spain - Jane Harrison, `Australiens Gestohlene Kinder,\' FrankfurterRundschau, September 9, 2000, Frankfurt - Anne Ring Peterson, `Denutilpassede,\' Det Nationale Fotomuseum, 2000, Germany - Dan Jönsson,`Tracey Moffatt\'s komplexa pussel,\' Jah for Sidst, April 2000,Denmark - Hanneke Huls, `Tracey Moffatt Laudanum,\' Torch, May 2000, TheNetherlands - Helmond Gemeentemuseum, Archis, Gemeentemuseum, 22 April,2000 - Ruth De Beer, `Introducing Tracey Moffatt,\' Museum Helmond, 2000,The Netherlands - Zwetende lichamen in een onmetelijke woestijn, Uitkrant,June 2000, The Netherlands - `SottShock,\' Man, May 2000, TheNetherlands - `Australische Avante-Garde-Kunstenares,\' Rails, May 2000, TheNetherlands - `Tracey Moffatt,\' Spits, May 2000, TheNetherlands - `Tracey Moffatt,\' Carp, Helmond Gemeentemuseum April 2000,The Netherlands - `Expositie Tracey Moffatt,\' Traverse, HelmondGemeentemuseum, April, 2000, The Netherlands - `Fototentoonstelling TraceyMoffatt in Gemeentemuseum,\' Helmond, Nieuus, April 2000, TheNetherlands - `Laudanum,\' Vitrine, March 2000, The Netherlands - `Mutitalent,Tracey Moffatt,\' Avante Garde, May 2000, TheNetherlands - `Tentoonstelling: Tracey Moffatt,\' Style Magazine, April2000, The Netherlands - `Mi Trabajo es de carácter universal,\' Cabello/Carceller, PhotoPeriódico, June 2000, Madrid, Spain - `Cronica de UnaFantasia,\' Cabello/ Carceller, El Periódico del Arte, May 2000, Madrid,Spain - `Tracey Moffatt in Babelia,\' El País, p.12 August 26,2000 - Helga de Alvear, `Tracey Moffatt,\' Arte de Parte, April/May 2000,Madrid, Spain - Lynne Cooke, `Sydney Biennale 2000 (exhibition catalogue),\'2000, Sydney, Australia - Tom Jørgensen, `Brutal Aestetik,\' Det NationaleFotomuseum, 8 April 2000, Denmark - `Snap Ruling,\' The Citibank PrivateBank Photography Prize 2000, Metro p.24-25, Feburary 5, 2000,Australia - `Finalists eye Citibank Privaate Bank Photography Prize,\'Citigroup (publication), p.9, 2000, UK - `Campos del Color,\' El País de lasTentaciones, 5 May, 2000, Madrid, Spain - `Tracey Moffatt,Trans-Europe-Expos,\' December-January 2000, Paris, France - `TraceyMoffatt,\' Readers Digest, March 2000, Canada - Saul Anton, `Tracey Moffatt,Fractured Fairy Tales,\' Time Out, March 2-9, 2000, New York, USA - SimonGrant, `Rich pickings up for the prize,\' The Guide, February 5-11, 2000, LondonUK - Natsumi Inokuchi, `Citibank Prize,\' Flash Art, January/February, 2000,London, UK - Kristine Kern, `Opium til øjnene,\' April 2000, Copenhagen,Denmark - Tracey Moffatt, Laudanum (exhibition catalogue), Det NationaleFotomuseum, February-April, 2000, Denmark - `Tracey Moffatt, Invocations,\'Artforum International, February 2000, USA

1999

“Tracey Moffatt,\' Le Point,31 December 1999, Paris. - Myriam Boutoulle, `Une galerie dart:photographique,\' Le Magazine, December 1999, Paris - `Tracey Moffatt et VikMuniz,\' Le Nouvel Observateur, 16 December 1999, Paris - Frédérique Chapuis,`Rude Bush,\' Télérama, 17 November 1999, Paris - `Le moderner chic et fauxde Muniz et Moffatt,\' Télérama, 1 December 1999, Paris - EmmanuelleLequeux, `Tracey Moffatt: Sa vie en photo-drama,\' Le Monde, 2 December 1999,Paris, France. - Rainer Fuchs, `La Casa, il Corpo, il Cuore: Konstruktionder Identitäten,\' (catalogue), Museum Moderner Kunst Stiftung Ludwig Wien,1999, Vienna, Austria - `Tracey Moffatt,\' Le Monde, 18 November 1999,Paris - Brigitte Ollier, `Tracey Moffatt sans fard,\' Liberation, 6 December1999, Paris - Rainer Zerbst, `Noch dreihundert Meilen bis nach Brisbane,\'Eßlinger Zeitung, 27 June 1999, Germany - Georg Linsenmann, `Im Auge desChamäleons,\' Schwäbische Zeitung, 5 June 1999, Germany - Guillaume Tesson,`Lart du detournement,\' 17 November 1999, Paris - Olivier Reneau, `Incontournables,\' Beaux Arts Magazine, September 1999, Paris - Life Cycles,(catalogue), Lynne Cooke & Stephanie Sembill für Zeitgenössiche, KunstLeipzig, 1999, Germany - Christoph Doswald, `Missing Link Menschbilder inder Fotografie (exhibition catalogue),\' Kunstmuseum Bern, Edition Stemmle,Germany - Burkhard Riemschneider, Uta Grosenik, Art at the Turn of theMillenium, Köln, Germany - Alain Dister, `Centre dart et galerie,\' Loeil,November Paris. - Damien Sausset, `Tracey Moffatt, comme au ciné,\' December1999, Paris - Anne Vrignaud, `Muniz/ Moffatt: limaginaire en action,\'Azart, November 1999, Paris - Léa Gauthier, `Tracey Moffatt,\' Le Journaldes Expositions, November 1999, France - Pascale Rossignol, `Lart est surimages,\' Art & Cinema, November 1999, Paris - `Art PerspektivenFotografie: Tracey Moffatt,\' Art Das Kunstmagazin, November 1999 no. 11,Germany - Jane Burton, `Tracey Moffatt,\' ARTnews, October 1999, New York,USA - Michael Snelling, `Tracey Moffatt,\' Institute of Modern Art, 1999,Brisbane, Australia - Christian Kravagna, `Die Moderne im Rückspiegel,\'Springerin, June 8, 1999, Wien, Austria - Automaten: Phantasmen der Moderne(catalogue), Puppen, Körper, Pia Müller-Tamm und Katharina Sykora, KunstsmmlungNordrhein - Wesstfallen, Okatagon, 1999, Düsseldorf, Germany - ThomasWolff, `Nuevas visiones Nuevas Passiones, The Heat, the Joy and the Fear Lacolección Helga de Alvear,\' (catalogue), Fundación Marcelino Botín, 1999,Santander, Spain - Rainer Hörmann, Rosa für Jungs, `Kindheit als Phänomen,\'(catalogue), Hellblau für Mädchen, April 1999, Kunst, Berlin,Germany - Wohin kein Auge reicht (catalogue), Deichtorhallen, 1999,Hamburg, Germany - `Tracey Moffatt,\' Arte y Parte, Tracey Moffatt &Gerald Matt Jaume Vidal Oliveras, No. 21 June/July 1999, Madrid, Spain - StéphanieLerouge, `Tracey Moffatt,\' Beaux Arts Magazine, Paris Cedax, France - RégisDurand, `Les Inquietantes Tracey Moffatt un théatre pour personne,\' Art press,Paris, France - Lola Garrido, `Tracey Moffatt: La Chica de Moda,\' Foto, August,Spain - José Miguel G. Cortes, Juan Vicente Aliaga, `A Sangre Y Fuego,\'(catalogue), Espai dart contemporani de Castelló, Spain - Elvan Zaunyan,`Tracey Moffatt,\' Le Journal, Centre National de la Photographie, No. 8, Paris,France - Bruce James, `Up in the Sky: Tracey Moffatt in New York,\' SunHerald, July 25 1999, Sydney, Australia - Ruth Hessey, `Tracey Moffatt: Oneof the 10 most Fascinating People in the History - of Australian Film,\'Independent Filmmakers, September 1999, Australia - Ben Widdicombe, `PopeTakes Manhattan,\' The Australian Newspaper, 20 December 1999,Australia - `Very Revealing,\' (Photography section), Metro, 30 October - 5November 1999, UK - Michael MacInnnis, `Tracey Moffatt,\' The New York ArtWorld, May 1999, New York - Edward Leffingwell, `Tracey Moffatt at PaulMorris,\' Art in America, October 1999, USA - Jean Dykstra, `Laudanum:Tracey Moffatt,\' Art On Paper, Sept/Oct 1999, vol. 4, no. 1, USA - B.Cellis, `Tracey Moffatt- Artista Australiana,\' El País, 20 May 1999, Madrid,Spain - Daniel Bensinger Costello, `Art & Money,\' The Wall StreetJournal, 17 September, 1999, New York, USA - Stella Artois,`Exhibitionism,\' Flaunt, June/July, 1999, USA - Vince Aletti, `MaleFemale,\' Aperture, Summer, 1999, no. 156, New York, USA - Vince Aletti,`Voice Choices: Photo,\' The Village Voice, 11 May 1999, New York,USA - Kenneth Baker, `Tracey Moffatt,\' ARTnews, April, vol. 98, New York,USA - Marta Gili & Régis Durand (ed.), `Tracey Moffatt,\' (Spanish/Catalan/ French catalogue), Fundacio `La Caxia" Barcelona & CentreNational de la Photographie, 1999, Paris, France - Marta Gili, `TraceyMoffatt sentretient avec Marta Gili,\' Le Journal No. 8, 8 September 1999,Paris - Brigitte Reinhard (ed), `Tracey Moffatt: Laudanum,\' (catalogue),Cantz Verlag, 1999, Stuttgart, Germany - Robin Dutt, `Tracey Moffatt,Victoria Miro,\' Whats On, 9 June 1999, London, UK - `News: Moving Images,\'Flash Art, October 1999, New York, USA - Martin Herbert, `Tracey Moffatt,\'Time Out London, 9-16 June, 1999, USA - Charles Gandee, `Women on theVerge,\' American Vogue, May 1999, USA - Alex Neel, `Tracey Moffatt,\' TimeOut, New York, 10-17 June, 1999, USA - Mark Stevens, `Spice Girls,\' NewYork Magazine, 21 June 1999, USA - Stephen Gan, Ceilia Dean & JamesKaliardos, `The Game,\' Visionare 30, 1999, New York, USA - Blair French,`Tracey Moffatt,\' Art/Text, 1999 #66, Australia - McKenzie Wark, `ArtistExhausts Her Critics,\' The Australian, 4 August 1999, Australia - SebastianSmee, `A Trippy, Touched-Up Tease,\' The Sydney Morning Herald, 21 April 1999,Australia - Benjamin Genocchio, `Disturbing Narrative of Passion andPower,\' The Australian, 23 April 1999, Australia - Christian Herchenrôder,`Neuer Blick auf das Fremde,\' 12 November 1999, Germany - Bruce James, `Upin The Sky: Tracey Moffatt in New York,\' Sun Herald, July 25, Sydney, Australia - JohnConomos, `Tracey Moffatt: Laudanum,\' Photofile, no. 57, October, Sydney,Australia - Sebastian Smee, `Little Miss Moffatt,\' The Sydney MorningHerald Metro, 22 April 1999, Australia - Daniel Mudie Cunningham,`Laudanum,\' The Sydney Star Observer, 22 April 1999, Australia - ThomasWolff, `Kalkuliertes Klischee,\' Frankfurter Rundschau, 16 April 1999,Germany - Thomas Wolff, `Laudanum für die Kunstwelt,\' FrankfurterRundschau, 2 March 1999, Germany - `Heute zu Fotografien von TraceyMoffatt,\' W.R., Frankfurter Rundschau, 29 May 1999, Germany - Verena Kuni,`Tracey Moffatt in der L.A. Galerie und im Ulmer Museum,\' Kunst-Bulletin, 8July 1999, Zurich, Switzerland - `Tracey Moffatt--Shooting Queen,\' ElleGermany, June 1999, Germany - Marc Peschke, `Lustvolle Unterwertung,\'Frankfurter Allgemaine, 3 May 1999, Germany - Adrienne Braun, `A plus B istnicht gleich B plus A,\' Süddeutsche Zeitung, 30 June 1999, Munich,Germany - `Zwiespältiger Eindruck bei Tracey Moffatts Filmen,\' UlmerMuseum, Schäbische Zeitung, 30 June 1999, Germany - `Leiche auf derLandstraße,\' Spiegel, 22 March 1999, no. 21, Hamburg, Germany - MarcPeschke, `Erlesenes Drama: `Laudunum" von Tracey Moffatt,\' Photonews, June1999, Germany - Cate McQuaid, `Free Falling Delivers AboriginalPerspective,\' The Boston Globe, 28 January 1999, USA - William Middleton,`Escape to Amsterdam,\' Travel and Leisure, October 1999, USA - CarolSquiers, `Tracey Moffatt,\' American Photo, Jan/Feb 1999, USA - Studio ArtMagazine, `Tracey Moffatt,\' September 1999 no. 106, Tel Aviv - BrigittePaulino-Neto, `Tracey Moffatt,\' Paris Vogue, November 1999, Paris - SandraSmallenburg, `Tracey Moffatt,\' N.R.C., 18 June 1999, Amsterdam - ErikHagoort, `Schaduw van gouvernante schuift over de trappen,\' Volkskrant, 23 June1999, Amsterdam - Laurence Hegarty, `Tracey Moffatt,\' New Art Examiner,October 1999, New York, USA - Jonathan Turner, `Tracey Moffatt,\'MonteVideo/TBA, Netherlands Media Art Institute no. 10, 1999,Amsterdam - Olga Spiegel, `La Australiana Tracey Moffatt presenta en `laCaixa" su obra de los últimos diez años,\' La Vanguardia, 21 May 1999,Barcelona, Spain - Jaume Vidal Oliveras, `Tracey Moffatt,\' Arte Y Parte,June/July 1999 no. 21, Madrid, Spain - `Foto-Inszenierungen derWirklichkeit,\' Schwäbische Zeitung, 15 June 1999, Germany - `Zwischen denGenerationen Vermitteln,\' Zitty, Metropol, 1999 no. 20, Germany - KrystianWoznicki, `Zwischen Macht und Ohnmacht,\' Berlin Zeitung, 7 October 1999,Germany - Christina Tilmann, `Blitze über dem Schlachtfeld,\' DerTagesspiegel, 22 September 1999, Germany - Ángela Molina, `Tracey Moffatt:Soy estúpida téchnicamente, casi no sé utilazar la cámara,\' ABC Cultural, 19June 1999, Madrid, Spain - `Insert Tracey Moffatt,\' Noëma, August/October1999, Germany - Brigitte Werneburg, `Unschärfen, Kratzer und Schrammen,\'Die tageszeitung, 19 September 1999, Germany - Tanja Fiedler, `Nur GefühleZählen,\' Auflage, 14 September 1999, Germany - Constanze Suhr,`Unvollendete Geschichten,\' Berlin Magazin, 21 May 1999, Germany - JudyAnnear, `Tracey Moffatt: Guapa 1995,\' Noticias Arco, September 1999, no. 15,Madrid - Roberta Smith, `Gazing in a Mirror: The Omnipresent Camera,\' NewYork Times, 10 September 1999, New York - `Macht und Fürsorge,\' Noëma,August/October 1999, Köln, Germany - Monty DiPietro, `Poor Painter excelsin her world of photodrama,\' Asahi Evening News, 21 October 1999,Australia - Catalina Serra, `Mitos Cotidianos,\' El País, 26 June 1999,Madrid, Spain - Catalina Serra, `Espero que las historias que explico enmis obras sean universales," El País, 20 May 1999, Madrid, Spain - B.Celis, `Realidades Ficticias,\' El País de las Tentaciones, 21 May 1999, Madrid,Spain - Ángela Molina, `Tracey Moffatt descubre en Barcelona los enigmas dela fotografía,\' ABC Cultural, 21 May, 1999, Madrid, Spain - Thomas Schillo,`Traum-haft,\' Kunst Aktuell, June 1999 no. 6, Germany - Petra Kollros,`Inszenierungen um Erotik und Macht,\' Südwest Presse, 6 May 1999,Germany - Christian, Kravagna, `Die Modern im Ruckspiegel,\' Springerin,June/August 1999, Wien, Osterreich - Thomas Wolff, `The Heat, the Joy andthe Fear, About the Picture Universe of the Australian - Photo, ArtistTracey Moffatt,\' (essay in catalogue), Nuevas Visiones / Nuevas Pasiones, 1999,Spain - Diane Stegmann, `Agenda: The Armory Show,\' Elle Décor, Feb/Mar1999, USA - Petra Kollros, `Im Zentrum ein Melodram,\' 9 June 1999, Germany - Heidevon Preußen, `Opium und keine Skrupel: Tracey Moffatts Bildschau,\' 5 June 1999,Germany - Jutta Schenk-Sorge, `Tracey Moffatt Laudanum,\' Kunstforum 148,December 1999, Cologne, Germany - The Promise of Photography: Selectionsfrom DG Bank Collection, PS1 Contemporary Art Center, September/October, 1999,New York, USA - `Tracey Moffatt Laudanum,\' New Yorker p.34, June 25, 1999,New York, USA - `Tracey Moffatt, Laudanum,\' The New York Art World, May1999, New York, USA - `Tracey Moffatt, Laudanum,\' Roslyn Oxley9 Gallery,April-May 1999, Sydney, Australia - `Tracey Moffatt, Laudanum,\' HotTickets, Victoria Miro, Evening Standard, May 20, 1999, London,UK - `Tracey Moffatt,\' Ulmer Museum, Trendmagazin Joy, July 1999, Ulm,Germany - `Und Immer Lief der Frensher,\' Brgitte, December 1999,Germany - `Kunst im Kino,\' Südwest Press, May 27, Germany - `TraceyMoffatt- Laudanum,\' Kunstzeitung, Ulmer Museum, June/July 1999 - `Moffattauf Tournee,\' Südwest Presse, July 15, 1999, Germany - `Land mitcharakteristischen kulturellen Leistungen,\' Südwest Presse, Ulmer Museum, Ulm,Germany - `Up In The Sky,\' Stuttgarter Nachrichten, July 14, 1999,Germany - `Die Welt- ein Traum,\' Berlin Ticket, No.36, September 1999,Berlin, Germany - `Tracey Moffatt,\' Art Das Kunstmagazin, no.11, November1999, Germany - Hedwig Fijen, `Public Private,\' Netherlands Media ArtInstitute, February/March 1999, Amsterdam, Holland - `Mystérieux objects dudésir,\' Le Cercle des amis darte, Centre National De La Photographie, November1999-January 2000, Paris, France - `Tracey Moffatt,\' Nikon FlashŒuvresphotographiques et films, Centre National De La Photographie, 1999, Paris,France - `Expositions du Centre National De La Photographie,\' Phot echosp.4, October 1999, Paris, France - Lynne Cooke, `Unodisseafoto-cinematografica,\' (catalogue), Tracey Moffatt/Immagini p.89-147, Il videoa venire, 1999, Italy - “Tracey Moffatt, entre fiction et réalité,\' Loeil,October 1999, Paris, France - Le moderner chic et fuax de Muniz etMoffatt - Télérama Paris, December 1-7, 1999, Paris, France - `TraceyMoffatt and Vik Muniz,\' Whats on, December 1999 - January 2000, Paris,France - Regis Durand, `Tracey Moffatt,\' Paris Photo, p. 80, Autumn 1999,Paris, France - `Lénergie Åpre de Tracey Moffatt,\' LAustralie en France,no. 6, November 1999 - `Tracey Moffatt, Lénigme de limage,\' Axelle, p. 7,December 1999, Brussels, Belgium - `Tracey Moffatt,\' Paris Voice, November1999, Paris, France - `Tracey Moffatt& Vik Muniz, Blvd Europe,September - November 1999, Paris, France - `Tra Cinema e Fotorafia, L artedi Tracey Moffatt,\' PHOTO, December 1999, Italy - `Tracey Moffatt, ProjectRooms,\' El Correo Arco, February 1999, Madrid, Spain - Rikard Rehnbergh,`En konstpromenad paövre Östermalm,\' Våsterbotlens Kunren, Konst, March 23,1999, Konst, Germany

1998

Martin Hentschel,Württembergischer Kunstverein Stuttgart and Gerald Matt, Kunstalle Wien,editors, `Tracey Moffatt,\' exhibition catalogue, Kunstalle Wien,Württembergischer Kunstverein Stuttgart, AR/GE Kunst, Vorarlberger Kunstverein,Ostfidern-Ruit, Cantz 1998

Adrian Martin, `TraceyMoffatts Lost Highway,\' Artlink, Vol. 18 No. 4, 1998, Australia - LisaLiebmann, `Top 10: The Best of 1998,\' Artforum, December 1998, USA - SusanLowish, `Free-Falling,\' Center for Contemporary Photography Flash, November1998, Melbourne, Australia - Bill Stamets, `Art People: The Making of anArt Queen,\' Chicago Tribune, November 1998, No. 20, USA - EwaLajer-Burcharth, `A Stranger within,\' Parkett, No. 53, Zurich,Switzerland - David Morrow, `If This is Art, I Really Like It,\'C-International Contemporary Art, October 1998, Toronto, Canada - Ariannadi Genova, `Flash Sul Luogo del Delitto,\' Il Manifesto, 17 September 1998,Rome - Jennifer Higgie, `Tracey Moffatt: Victoria Miro,\' Frieze, No. 40,May 1998, London, UK - `Tracey Moffatt,\' Arnolfini, Visual Arts section,August/Septmeber 1998, Bristol, UK - Denise Robinson, `Go on, show me. ..,\' Arnolfini, Bristol, June 1998, UK - Tom McEvilley, `Falling Upward,\'Interview Magazine, April 1998, New York, USA - Christopher Bagley, `BigMiss Moffatt (Australia is too small for an artist like Tracey Moffatt-so shescoming to America),\' W Magazine, March 1998, New York, USA - Susan Hapgood,`Tracey Moffatt at Dia,\' Art in America, March 1998, New York, USA - MartinHerbert, `Tracey Moffatt: Victoria Miro Gallery, London,\' Time Out, March 4-111998, London, UK - Sebastian Smee, `Multiple Exposure,\' The Sydney MorningHerald - Spectrum, May 9 1998, Sydney, Australia - Bruce James, `Tracey inTimbuktu,\' Photofile, no 53, April 1998, Sydney, Australia - SebastianSmee, `The whole world is Wild at heart and weird on top,\' The Sydney MorningHerald, May 22-28 1998, Sydney, Australia - Elke Bockhorst, `Frauen vorWustenlandschaft Eschalot oder neun Fragen an die Peripherie eine Ausstellungin Kassel (Women in Desertlandscapes),\' Frankfurter Rundschau, 2 May 1998,Frankfurt, Germany - John Borthwick, `Im here to photograph the sunsets,\'Off the Rails, 1998, Australia - `Echolot,\' (catalogue), curated by ReneBlock, catalogue essay Innocence and Violence by Anne Marie Freybourg, March1998, Museum Fridericianum, Kassel, Germany - `Tracey Moffatt,\'(catalogue), curated by Gerald Matt and Lucas Gehrmann, essays by John Yau,Martin Hentschel, and Bert Rebhandl. Tracey Moffatt interviewed by Gerald Matt,Kunsthalle Wien, Vienna, Austria, Vorarlberger Kunstverein, Bregenz, Austria,Wurttembergischer Kunstverein Stuttgart, Germany, AR/GE KUNST, Bozen, Italy,1998 - Karin Schulze, `Tracey Moffatt, Kunstlich wie das Leben: (Artificiallike Life),\' Der Spiegel - Culture, May 1998, Hamburg, Germany - AnkeKempkes, `Rollschuhfahrerinnen, Pasolini und Mad Max: Das Tracey Moffatt-Fieber(Tracey Moffatt Fever: Rollerderby, Pasolini and Mad Max),\' Springerin,March/May 1998, Vienna, Austria - Ilona Lehnart, `Das Rettende scheintwieder nah,\' Feuilleton Frankfurter: Allgemeine Zeitung, April 20 1998, Kassel,Germany - Dirk Schwarze, `Man musuns nur endlich beginnenlassen,\' KunstforumInternational, April/June 1998, Germany - Dirk Schwarze, `Bewwgung, Klungund Stille,\' HNA, March 26 1998, Kassel Germany - Dirk Schwarze, `Undfröhlich hüpfen die Minen,\' HNA, April 27, 1998, Kassel, Germany - `DerRand Miittelpunkt,\' Spiegel, April 17, 1998, Germany - Gabriele Hoffmann,`Verschlungen in weißer Leere,\' Stuttgarter Zeitung, April 28 1998, Stuttgart,Germany - Nicolai B. Forstbauer, `Balladen nebensächlichen Schreckens,\'Stuttgarter Nachrichten, June 6 1998, Stuttgart, Germany - Reiner Metzger,`Tracey Mofffatt: Plot and Pleasure,\' Noëma, No. 47 April 1998, Vienna,Austria - Martin Pesch, `Tracey Moffatt,\' Kunstforum International, April1998, Frankfurt, Germany - Susanne Lingemann, `Wunderland der falschenTräume (Wonderland of Wrong Dreams),\' ART - Das Kunstmagazin, April 1998,Hamburg, Germany - Hohe Kunst der Künstlichkeit (High art ofartificiality) - “A View from Australia\': Tracey Moffatt in der KunsthalleWien/Museumsqartier - Doris Krumpl, Der Standard Kultur/Szene, April 91998, Vienna, Austria - Henriette Horny, `In plumpen Klischees zeigt sichdas wirkliche Leben sehr deutlich (The real life in simple cliches),\' Kurier,April 10 1998, Vienna, Austria - Lars Movin, `Galleri Faurschou,Denmark - Christina Magnergård, `Australiens ljus på Karlavägen,\' Metro, February2 1998, Denmark - Mai Misfeldt, `Australsk iscenesaettelse,\' BerlinskeTidende, January 14 1998, Copenhagen, Denmark - Peter M. Hornung, `Grimmeridser i drømmen,\' Politiken, January 9 1998, Copenhagen,Denmark - Dorothee Baer-Bogenschütz, `Angekratzt Bilderflut: Tracey Moffatt(Scratched Image Flood),\' Kunstzeitung, 20 April 1998, Regensburg,Germany - Dorothee Baer-Bogenschutz, `Am Anfang und Ende der Zivilisation:Ratselszenen aus dem australischen - Outback. Tracey Moffatt in der L.A.Galerie,\' Frankfurter Rundschau, Jan. 29 1998, Frankfurt, Germany - `ImZentrum die Peripherie,\' Kulturgemeinschaft, DGB Stuttgart, May 1998,Germany - Marius Babias, `Von der Peripherie aus,\' Jungle World, 3 June1998, Germany - Marius Babias, `Alles in Flux,\' Echolot, der impresarioRené Block, 1998 Kassel, Germany - Dirk Schwarze, `Vom Zentrum an den Randund zurück,\' Sudt Zeitung, 4 June 1998, Germany - Dirk Schwarze, `Weltdurch den Körper erfahren,\' HNA, 16 June 1998, Germany - Dirk Schwarze,`Fortdauer des kolonialen Denkens,\' HNA, 16 June 1998, Germany - JuttaBuness, `Positionsbestimmungen,\' NBK, June/July 1998, Germany - PeterHerbstreuth, `Echolot im Museum Fridericianum,\' Kunstbulletin, June 1998,Germany - Jorg Restoft, `Im Orient,\' April 1998, Kassel, Germany - CarlBerger, `Echolot Review,\' Noëma, July/August 1998, Kassel, Germany - DirkSchwarze, `Von der Kraft der Frauen,\' Kunstforum International, July/September1998, Germany - Von Elke Buhr, `Frauenschicksale im Australischen Outback,\'8 April 1998, Germany - Dirk Schwarze, `Wie Bilder aus einem Film,\' HNA, 1April 1998, Germany - Dirk Schwarze, `Von der Stärke der Frauen,\' HNA, 21March 1998, Germany - Dirk Schwarze, `Wenn Dämonen flüchten,\' HNA, 22 April1998, Germany - Wayne Tunnicliffe, `Strange Days,\' Art Gallery of New SouthWales, 1998, Sydney, Australia - Giles Auty, `Quest for Significance,\' TheWeekend Australian, 4-5 July 1998, Australia - Joanna Mendelssohn, `NobodyTold Me There Would Be Days Like These,\' The Australian, June 5, 1998,Australia - Tracey Moffatt, `Boulder City Kalgoorlie Western Australia,\'Art and Australia, Quarterly Journal, p.346-347, 1998, Sydney,Australia - Tracey Moffatt - Australische Ansichten (catalogue), KunsthalleWien, Austria, Württembergischer Kunstverein Stuttgart, Germany, Galerie Bozen,Voralberger Kunstverein - `Strange Days,\' 3D World, 1998, Sydney,Australia - Daniel Mudie Cunningham, `Strange Days: The 4th GuinessContemporary Art Project,\' The Sydney Star Observer, 11 June 1998, Sydney,Australia - Adriana Alvarez, `Most Peculiar, Mama,\' Revolver Magazine, 22June 1998, Sydney, Australia

“Surreal McCoy,\' Capital QWeekly, 29 May 1998, Sydney, Australia - Sebastian Smee, `Wild and Weird onTop,\' The Sydney Morning Herald, 22-28 May 1998, Sydney,Australia - `Strange Days: The Guiness Contemporary Art Project,\' LookMagazine, May 22 1998, Sydney, Australia - Sebastian Smee, `The Whole Worldis WILD at Heart,\' The Sydney Morning Herald, 22-29 May 1998, Sydney,Australia - Veena Arnold, `Critical Interventions: Evil,\' Viewpoint, June1998, UK - Thomas Wolff, `Die Hitze, das vergnügen, die Angst,\' FrankfurterRundschau, 5 Sept 1998, Frankfurt, Germany - Sju utställningar i en hall,Hallanasposten, 25 June 1998, Sweden - `Minidramen zwischen Kunst undTrash,\' Claudia Ihlesfeld, Heilbronner Stimme, 25 May 1998, Heilbronn,Germany - Michael Hübl, `Blues n Balls,\' Kunst Forum, July-September 1998,Germany - Birgit Sonna, `Echo aus der Zukunft,\' Süddeutsche Zeitung, 6 June1998, Munich, Germany - Maario Limbach, `Im Sucher: Entmenschlichung undAnonymisierung,\' Esslinger Zeitung, 5 May 1998, Esslingen,Germany - Carmele Thiele, `Gezeichnet fürs Leben,\' Freitag, 5 June 1998,Germany - F. Schur, `Zwischen Sex, Gewalt und Glamour,\' Prinz Stuttgart,May 1998, Stuttgart, Germany - `Downunder-Dramolette,\' Rainer Metzge, 1998,Berlin, Germany - Sabine B. Vogel, `Tracey Moffatt im WürttemburgischeKunstverein und in der Kunsthalle,\' Kunst Bulletin, 1998, Zurich,Germany - Conny C-A Malmqvist, `En givande mångtydighet,\' KUP, 6 June 1998,Sweden - Crispin Ahlström, `Stig in ach låt dig betraktas!,\' 6P, 28 June1998, Sweden - Håkan Zeylon, `Fantasifullt om vår natur,\' SKD, 9 June 1998,Sweden - Jörgen Klinthage, `Konst som tänjer gränserna,\' 25 June 1998,Sweden - Jörgen Klinthage, `Kraftmätning mellan objekt och rum,\' ArbetetNyheterna, 27 June 1998 - Eva Ström, `Ruiner och agräs,\' SVD, 13 June 1998,Sweden - Marika Wachtmeister, `Natur som överraskar,\' Kristiansdagsbladet,27 June 1998, Sweden - Cecilia Billgren, `Ruin möter besökare paKonsthallens innergärd,\' Arbeiter, 30 May 1998, Sweden - Gunnar Bråhammar,`Svårbegripbart tema på Lunds konsthall,\' Ystads Allehanda, June 5, 1998,Sweden - Milou Allerholm, `Lekfulla utsnitt ur en filrerad natur,\' DN, 7June 1998, Sweden - Brita Orstadius, Borås Tidning, 22 June 1998, Sweden

Ingamaj Beck, `Tack, men jagär matt,\' Attonbladet, 12 June 1998, Sweden - Poul Erik f, `Lundskosnthalls sommarutställning handlar om naturen, bäde den - därute och dendärinne - människans väsen,\' 1998, Sweden - Poul Erik Tøjner, `Människanoch de bägge naturerna,\' Sydsvenskan June 22, 1998, Sweden - Poul ErikTøjner, `Lunds konsthalls sommarutställning handlar om naturen, både den däruteoch den därinnemanniskans väsen,\' August 8, 1998, Sweden - Stefan Olofson,`Människans natur på Lunds Konsthall,\' Skånska Dagbladet, 20 May, 1998,Sweden - Birgit Sonna, Ech aus der Zukunft, `In der Bildgeschichte\', June6, 1998, Stuttgart, Germany - Yens Wahlgren, `Allt vildare konstverk,\'Sydsveenskan, 30 May 1998, Sweden - Åke Holmqvist, `Med välavvägd balans,\'Norra Skan, 4 June 1998, Sweden - Lisbeth Bonde, `Tilbage til unaturen,\'Information Tirsdag, 30 Jun 1998, Sweden - Hakan Nilsson, `Gränsenmellanuppgörelse ochmani är tunn,\' Svenska Dagbladet, 7 March 1998, Stockholm,Sweden - Mario Limbach, `Gegen den Sturm der Bilder gestemmt,\' SüdwestPresse, 8 May 1998, Germany - `Fragen ohne Antwort,\' Deutsch Vogue, August1998, Germany - `Indigenous Australia in the Nations Parliament House,\'(catalogue), Parliament House, Cranberra, 1998, Australia - Els Roelandt,`Rokende babys en ravende jongeren,\' 1998, Holland - Ludovico Pratesi, `"ArtEnergie: Art in Jeans," (catalogue), Turn-of-the-Century Reflections: SixChapters on Art and Jeans, 1998, Florence, Italy - Johanna Hofleitner, `Wasich kenne," Presse, 10 April 1998, Vienna, Austria - JohannaHofleitner, `Tracey Moffatt: A view from Australia,\' Eikon, No. 24, April 101998, Vienna, Austria - Bor Madestrand, `Australien tor över (Australianstake over),\' Expressen, March 3 1998, Stockholm, Sweden - `Nature of Man\'(catalogue), Lund Konsthall, Lund, 1998, Sweden - Lars o Ericsson, DaqunsNyheter, `Karga berättelser (Stories in an empty space),\' (Daily News), March6, 1998, Stockholm, Sweden - Mäss Revy, `Fotografikonst på Stockholm ArtFair,\' Stokholm Art Fair, p.28, Sweden - Sandra McGrath, `"I loveDesigner Clothes,\' Harpers Bazaar and Mode Australia, March 1998, Sydney,Australia - Sebastian Smee, `Total Eclipse of the Mundane,\' The SydneyMorning Herald Metro section, February 13 1998, Sydney, Australia - JustinSpring, `Tracey Moffatt: Hunters and Collectors,\' Art/Text, No 60, February -April 1998, Sydney, Australia - Joanna Mendelssohn, `Questions andAlternative Truths,\' The Australian, Feburary 1998, Sydney,Australia - Dena Shottenkirk, `Letter from New York,\' C., No. 58,1998 - Jonathan Turner, `Tracey Moffatt: Intense Interest,\' Artnewsletter,November 17, 1998 - Mode, March 1998, Sydney, Australia - Coco Fusco,`Tracey Moffatt,\' Bomb, Summer 1998, USA - Giancarlo Polito & HelenaKontora, `Container of Information,\' Flash Art, Summer 1998, USA - LaurenceNassau, `A Snapshot of 1997-1998,\' NY Arts, September 1997-1998, New York, USA - BillStamets, `Art People: The making of an Art Queen,\' Chicago Reader, November 201998, Chicago, USA - Kathrin Luz, `Im Exzeß der großen Gefühle und grellenFarben,\' Noëma, October/November 1998, Köln, Germany - Erwin Melchart,`Australien ohne Känguruhus,\' Kultur, April 10, 1998, Germany - VonKristian Sotriffer, `Das Triviale, der Traum, die Kunst,\' Die Presse-Kultur,April 1998, Germany - David Burrows, `Critical Interventions: Evil,\' ViewPoint, June 19 1998, UK - Rainer Hormann, `Rosa für Jungs, Hellblau fürMadchen,\' (catalogue), Kindheit als Phanomen, April 1998, Germany - CarlosBusualdo, Francesco Bonami, Okwui Enwesor, Matthew Higgs, Hou Hanru, SusanKandel, Rosa Martinez, Asa Nacking, Hans Ulrich Obrist, `Cream: ContemporaryArt in Culture\' (catalogue), 1998, London, UK - `ID Magazine,\' No. 11,1998, London, UK - David Crosby, `Tracey Moffatt,\' Zoom No. 26, May-June1998, Italy - Dominique Baque, `La Photographie Plasticienne,\' Un ArtParadoxical, 1998, Paris, France - Clarisse Pereira Godiva, `Ulm olharindis creto até o parasío,\' Ano 1 No. 1, 1998, Brazil - `Fortbewegung dienur ein einziges Ziel kennt: das Ich Kunst,\' Die Presse, April 1998, Vienna,Austria - `Fleeting Portraits\' (catalogue), Neue Gesellschaft für bildendeKunst, 1998, Berlin, Germany - John McDonald, `Contemporary Daze,\' TheSydney Morning Herald, June 20, 1998, Sydney, Australia - Ruth Handler,`Pornographie als Stickerei,\' June 1998, Berlin, Germany - `Das Versprechender Fotographie\' (catalogue), DG Bank Collection, 1998, Luminita Sabau, HaraMuseum of Contemporary Art, Tokyo, Japan, - Kestner Gersellschaft,Hannover, Germany, Centre National de la Photographie, Paris, France, Akademieder Kunste Berlin, Germany, Schrin Kunsthalle, Frankfurt, Germany, Prestel,PS1, New York, USA, London, UK

1997

Malin Wilson,\' Truce: Echoesof Art in an Age of Endless Conclusion,\' Artforum, p. 112, December 1997, NewYork, USA - Francesco Bonami, `Echoes: Contemporary Art at the age ofEndless Conclusions,\' July 1997, New York, USA - Jean Dykstra, `TraceyMoffatt: Portrait of the Artist,\' Art and Auction, p. 62, 1997, New York,USA - Charles Dee Mitchell, `Report from Santa Fe: New Narratives,\' Art inAmerica, November 1997, New York, USA - Lynne Cooke, `Tracey Moffatt:Free-Falling\' (catalogue essay), Dia Center for the Arts, 1997, New York,USA - Anna Johnson, `Slick Tracey,\' Vogue Australia, November, 1997,Sydney, Australia - Vicki Goldberg, `The Artist Becomes A StorytellerAgain,\' The New York Times, November 9, 1997, New York, USA - RobertaSmith, `Real Life Tableaux, Natural Yet Startling,\' Art Review, The New YorkTimes, October 10, 1997, New York, USA - Franklin Sirmans, `Tracey Moffatt- So Many Stories to Tell,\' Flash Art,Vol xxx no. 195 Summer 1997, Milan/ NewYork, USA - `Report from São Paulo,\' Art in America, March 1997, USA - MetteSandbye, `Kunstrevy,\' Weekendavisen, 5-11 December, 1997, Denmark - SiteSanta Fe (exhibition catalogue), 1997, Santa Fe, USA

“A Guide to the Seasonsmajor Events,\' Art in America, No. 53, March 1997, USA - `Conclusion,\'Artforum, December 1997, New York, USA - Renate Puvogal, `Campo 6 - thespiral village,\' Kunstforum international, no. 137, June/August 1997,Germany - Silvie Eiblmayer, `Zonen der Ver-störung (catalogue),\'steirischer herbst, 1997, Graz, Austria - Printemps de Cahors (catalogue),Paris, France - `Et rat liv,\' Weekend Avisen, December 1997, Berlin,Germany - La Biennale di Venezia, Presente Passota, Futuro, XLVIIEsposizione Internazionale dArte (exhibition catalogue), Venezia, Italy - Sandra Dannike, Dame in Rot Frankfurter Rundschau, April 4, 1997,Frankfurt, Germany - Sue Smith, `Dealers duel for Traceys images,\' TheCourier, August 20, 1997 Australia - Terry Imgram, `Basel fair boostsBrisbane backhanders,\' The Austarlian Financial Review, June 26, 1997, Sydney,Australia - Roberta Smith, `Real-Life Tableaux Natural Yet Startling,\' TheNew York Times, October 10, 1997, New York, USA - Katrin Bettina Müller,`Botanik auf der Tapete,\' Der Tages, Spiegel, June 2, 1997,Germany - Christina Wendenburg, `Rendezvous mit dem Känguruh,\' BerlinerMorgenpost, June 10, 1997, Berlin, Germany - `Australische Kunst amWaldsee,\' Zehlendorfer Volksblatt June 6, 1997, Germany - `Moderne Kunstaus Australien,\' Die Welt, May 3, 1997, Germany - Eugenee Carchesio,`Australische Meisterwerke,\' Bild, May 5, 1997 Berlin, Germany - Katrin Wittneven,`Australian Open,\' February 1997, Germany

1996

Antonio Goncalves Filho,`Australia revela a nova ordem fotográphica,\' O Estado de São Paulo, August 26,1996 São Paulo, Brazil - Fundacao Bienal de São Paulo (catalogue), 1996,São Paulo, Brazil - Francesco Bonami, `Campo 6 The Spiral Village\'(catalogue), Museum of Modern Art Torino, Torino, Italy - Lynne Cooke,`Jurassic Technologies Revenant,\' (catalogue), Tenth Biennale of Sydney, 1996,Sydney, Australia - Sonya Voumard, The Moffatt Mosaic,\' The Australian,August 1996, Australia - Peter Weiermair, (editor), Prospect 96 (exhibitioncatalogue), Kunstverein Frankfurt, March/May, 1996, Frankfurt, Germany

1995

Gael Newton & TraceyMoffatt, Tracey Moffatt: Fever Pitch (book), Piper Press, 1995, Sydney,Australia - Gael Newton, `Tracey Moffatt\' (exhibition catalogue),Australian Perspecta 95, Art Gallery of New South Wales, 1995, Sydney,Australia - Wanda Jamrozik, `Flagging a new Australia,\' The Independent,December/January 1995, Australia - Susanne Lingermann, `Tracey Moffatt,\'ART `Fall Salon\', October 1995, Hamburg, Germany - Ewen McDonald, `TraceyMoffatt at Karyn Lovegrove and Mori,\' Art in America, July 1995,USA - ArtPace, `Short takes\' (catalogue), 1995, p.5, San Antonio, Texas,USA - Michael Fitzgerald, `Technicolor World,\' TIME Mag., Australia /Pacific, 7 August 1995, Sydney, Australia - Julia Robinson, `AntipodeanCurrents\' (exhibition catalogue), Guggenheim Museum (Soho), July, 1995, NewYork, USA - Frances Colpitt, `Tracey Moffatt: Guapa (Goodlooking)(exhibition catalogue), New Works Show, ArtPace, 1995, San Antonio, Texas,USA - Pepe Karmel, `Antidotes for a Cartoon Image,\'The New York Times, June23, 1995, New York - Frances Colpitt, `Beyond the Borders (catalogue),\'Kwangju Biennale, 1995, Kwangju, Korea - Christopher Dean, `The Shadowyhalf-life of ethics: Guapa (Goodlooking),\' Broadsheet, Spring, 1995, Adelaide,Australia - Adrian Martin, `The Melodrama of Tracey Moffatt,\' World ArtMagazine, p.24-29, Melbourne, Australia - Felicity Fenner, `All-pervasive imagesof sex,\' The Sydney Morning Herald, July 7 1995, Sydney, Australia - PetraKoch,\' State artists scoop award prize pools,\' The Courier Mail, November 31995, Australia

Perspecta 95, Art Gallery ofNew South Wales, 1995, Sydney, Australia

1994

Fotoszenen-Short Stories(catalogue) - Walter Schmalriede, Rathus, 1994, Göttingen, Germany

`See the woman with the reddress on...and on..and on..\' - Gael Newton, Art and Asia Pacific, Vol. 7No. 2, 1994, Sydney, Australia - Haunted History: Tracey Moffatt and JulieDash - Patricia Mellencamp, Discourse, Indiana University Press, Winter,1994, USA - A Passage in Avante-Garde film (Deleuze, Deren,Moffatt) - Amelia Ellen Hastie, (lecture Patricia Mellencamp) University ofWisconsin, 1994, USA - Bedevil (catalogue) - Tait Brady, Melbourne FilmFestival, 1994, Melbourne, Australia

1993

John Wojdylo, `Bedevil,\'Cinema Papers, No. 96 1993, Sydney, Australia - Lesley Stern, `When theUnexplained Happens,\' Photofile, No 40, Sydney, Australia - John Conomos,`Bewitched,\' Art and Australia, Vol. 31, No. 2, Summer 1993, Sydney,Australia - Penny Webb, `Tracey Moffatts Bedevil - A film Inscription ofThree Ghost Stories,\' AGENDA, No. 34 Summer 1993/94, Sydney,Australia - Bedevil (The Study Guide), c/ Ronin Films, 1993, Canberra,Australia - Bedevil (Original Motion Picture Soundtrack Recording), MusicComposed and Conducted by Carl Vine - One M One Records PTY LTD 1993, Sydney,Australia - Philip Dutchak, `Cool Front in Cannes,\' The Sydney MorningHerald, May 12 1993, Sydney, Australia - David Stratton, `Bedevil,\' Variety,April/May 1993, New York, USA - Deb Verhoeven, `Just Trust the Text, dontColour it,\' Artlink, Vol. 13 No. 1 p. 30/31, Adelaide, Australia - PeterBirnie, `Three engaging ghost stories from Down Under,\' Vancouver Sun, Oct 12,Canada - Suzy Freeman-Greene, `Tracey Moffatt is a playful and subversivepresence,\' The Age, October 1993, Melbourne, Australia - Annabel Dean, `Theghost in the family,\' The Sydney Morning Herald, October 28, 1993, Sydney,Australia - Lynden Barber, `Making her own rules,\' The Sydney MorningHerald, Oct 28 1993, Sydney, Australia - David Stratton, `SupernaturalVision,\' The Australian, Oct 30 1993, Australia - Henri Behar, `Le pillagedu grenier familial - Tracey Moffatt,\' La Monde, May 1993, Paris,France - Ruth Hessey, `The Bedevil in Tracey Moffatt,\' Juice Magazine, Oct1993, Australia - Jonathan Romney, `Festival favourites- the Guardians jurydeliver their verdict,\' The Guardian, May 24, 1993, London, UK - AndrewUrban, `Riders of the Post New Wave,\' The Bulletin, May 25, 1993, Sydney,Australia

“Bedevil - Tracey Moffatt,\'Interviewed by John Conomos and Raffaele Caputo, Cinema Papers Vol 93, 1993,Melbourne, - Australia - Claire Corbett, `Drama Queen,\' Rolling StoneAustralia, April 1993, Australia - Deb Verhoeven, `Just Trust the Text,Dont Colour It,\' Art Link Vol 13 No 1, 1993, Adelaide, Australia - SusanChenery, `Silent Movies,\' HQ Magazine, Autumn 1993, Sydney,Australia - Tracey Prisk, `Moffatt conjures up surreal imagery,\' EncoreMagazine, Vol 10 Issue 20, Jan 20 1993, Sydney, Australia - Karen Jenning,`Experimenting with Difference,\' Sites of Difference, Cinematic representationsof Aboriginalty and gender, Australian Film Institute, 1993,Australia - Marcia Langton, `“Well, I heard it on the radio and I saw it onthe television,\' An essay for the Australian Film Commission on the politicsand aesthetics of filmmaking by and about Aboriginal people and things,Australian Film Commission, Australia - Laleen Jayamanne, `A Sri Lankanreading of Tracey Moffatts Night Cries,\' Feminism and The Politics of Difference,edited by Sneja Gunew and Anna Yeatman Allen & Unwin, 1993,Australia - Jacques Delaruelle, `On the verge of saying nothing\'(exhibition catalogue), Visual Arts Program, Adelaide Festival 93,Australia - Katherine Tulich, `New vision for a rock video,\' Sydney MorningHerald, Oct 25,1993, Sydney, Australia - Fiona Mackie, `A Fractal Deframingin Film: Tracey Moffatts Night Cries: A Rural Tragedy,\' Photofile 31, 1993,Australia - `Scare Tactics,\' KL, Vogue Australia, June, 1993, Australia

1992

Jyanni Steffansen, `ScanningPhotoworks - Adelaide Festival and Fringe - Pet Thang, Tracey Moffatt,\'Photofile 35, 1992, Australia - Warwick Adler, `Photography and Eroticism,\'Art and Australia, Vol 30 No.1 Spring 1992, Australia - John McDonald,`Sanctuary of the idiot box,\' The Sydney Morning Herald, March 21 1992, Sydney,Australia - Pavel Büchler, `Tracey Moffatt - Framed\' (Exhition Catalogue),Centre for Contemporary Arts Glasgow, 1992, Scotland, UK - John Conomos,`Pet Thang, Recent Photographs,\' AGENDA 24, July/August 1992, Sydney,Australia - Laleen Jayamanne, `Love Me Tender, Love Me True, Never Let MeGo: A Sri Lankan reading of Tracey Moffatts Night Cries,\'Framework 38/39, 1992,London, UK - Helen ONeill, `From personal to universal,\' The Sydney MorningHerald, March 25 1992, Sydney, Australia - Des Partridge, `Female directorswin film finance,\' Courier Mail, May 6 1992, Brisbane, Australia - CyndiTebbel, `Tracey Moffatt Ghost writer,\' New Woman, April 1992,Australia - Jacques Delaruelle, `Pet Thang, On the verge of saying nothing\'(exhibition catalogue), Mori Gallery, Sydney, 1992 Australia

1991

Manohla Dargis, `OurFavourites,\' The Village Voice, January 8, 1991, New York, USA - TerenceMaloon, `From The Empires End - Nine Australian Photographers,\' ExhibitionCatalogue, Circulo de Bellas Artes, Madrid, The Works Gallery, University ofNSW, 1991, Australia - John Harris, `Moffatt tracing a fresh career,\' TheNews, p.26, September 20 1991, Adelaide, Australia - Shane McNeil,`Relativity Roeg and Radical Forms,\' LipSync Newsletter, August/September,1991, Adelaide, Australia - Imogen Yang, `Origin-ality,\' 3D World, p.26,1991, Sydney, Australia - `Desde el fin del Imperio nueve FotógrafiosAustralianos (From the Empires end nine Australian photographers),\' (exhibitioncatalogue), De Bella Artes, Madrid, Spain,The Works Gallery,1991, Sydney,Australia

1990

Erica Carter, `RadicalDifference,\' New Formations Number 10, Spring 1990, UK - Paul Harris, `ANew Light on Black Australia,\' The Age Entertainment Guide Melbourne, November1990 Australia - Paul Cox, `Night Cries in Cannes,\' Art Monthly, August1990, Australia - Megan Turner, `Expect the Unexpected,\' Brisbane CourierMail, August 25 1990, Brisbane, Australia - Ingrid Periz, `Night Cries:Cries from the heart,\' Filmnews, August 1990, Sydney, Australia - ScottMurray, `Tracey Moffatt: Night Cries A rural tragedy,\' Cinema Papers No. 79,May 1990, Melbourne, Australia - Ingrid Periz, `Night Cries - Distance,Communicability and reference,\' West, Vol. 10 No. 1&2, Autumn/Winter 1990,Australia - Annie Goldson, `Australias Anxiety of Influence,\' Afterimage,Summer, 1990, New York - Serge Dessault, `Le tour du monde pour Montreal,\'La Presse, Montreal, June 1990, Canada - Aborigines, Film & MoffattsNight Cries: A Rural Tragedy - E. Ann Kaplan, `An Outsiders Perspectives,\'Bulletin of the Olive Pink Society #1 (2), University of Adelaide December1990, Australia - `Gags of Colour,\' The Sydney Morning Herald, October 25,1990, Sydney, Australia - Evan Williams, `Visual Cries Better by Half,\' TheWeekend Australian, November 3-4, 1990 Australia - The Advertiser, `AVisual Impact in Shorts,\' FRAMES Festival of film and Video 7-14 September,1990, Adelaide, Australia - Isobel Crombie and Sandra Byron, `TwentyContemporary Australian Photographers,\' (exhibition catalogue), National Galleryof Victoria, 1990, Melbourne, Australia - Ruth Hessey, `In Vogue Profile,\'Vogue Magazine, February 1990, Australia - `Photographers Gallery,\' FollowMe Magazine, March 1990, Australia - Anne Rutherford, `Night Cries: A RuralTragedy,\' Art Link Vol 10, No.1&2, Autumn/Winter, 1990,Australia - Leigh Paatsch, `The Other Side of Reality,\' 35 Press, 1990,Australia - M.W., `Night Cries, Festival 90,\' Los Angeles Times, September1, 1990, Los Angeles, USA

1989

Patrick Crogan, `TraceyMoffatt - Something More,\' Photofile, Spring 1989, Australia - JohnMcDonald, `Challenging Dislocations,\' The Sydney Morning Herald, September 2,1989, Australia - Elizabeth Aird, `Australian Filmmaker Out To Break TheRules,\' Vancouver Sun November 16,1989, Vancouver, Canada - Art &Text,Cover picture from Something More - No. 34 Spring 1989, Australia - AnneMarie Willi, `Picturing Australia. - a History of Photography,\' Angus andRobertson 1989, Australia - Karen Alexander, `Tracey Moffatt, pushing theboundaries,\' Spare Rib, 1989, London, UK - `Night Cries A Rural Tragedy,\'Film News, p.9, October 1989, Australia - Anne Howell, `Yes Minister, theArts Need You,\' The Sydney Morning Herald, October 7 1989, Sydney, Australia

1988

Karen Jennings & DavidHollinsworth, `Shy Maidens and Wanton Strumpets,\' Hecate Vol 13 No.2, 1987/88,Australia - Gael Newton, `Shades of Light: Photography and Australia\'(Book), Australian National Gallery, 1988, Australia - Helen Ennis,`Australian Photography The 1980s\' (catalogue), Australian National Gallery 1988,Australia - Helen Grace, `Still Moving,\' Art and Australia, Vol 26, No 1,1988, Australia - Anna Rutherford, `Changing Images: An Interview withTracey Moffatt,\' Aboriginal Culture Today, Dangaroo Press, 1988,Denmark - Karen Sidney, `Nice Coloured Girls,\' Independent Media Magazine,1988, UK - Kate Collins, `Filmmakers Put Pacific In Focus,\' BrisbaneCourier Mail, September 1988, Brisbane, Australia - Amy Taubin,`Firestarters,\' Village Voice, May 3, 1988, New York, USA - Peter Hackett,`Tracey wants to picture blacks in right light,\' The Adelaide Advertiser, March22 1988, Australia - Karen Jennings, `The Frames Film Festival,\' ArtlinkVol 8 No. 2 1988, Adelaide, Australia - Mary Colbert, `Captained Souls,\'Sydney Morning Herald Metro, June 24 1988, Sydney, Australia - Tim Loyd,`Tracey scoops the pool at Frames opening night,\' Adelaide Advertiser, 19 March1988, Adelaide, Australia - Helen Grace, `Still Moving: Recent AustralianPhotography,\' Art and Australia, 1998, Spring Issue Vol. 26, No. 1,Australia - Tracey Moffatt, `Perspectives from the Independent Sector,\'FAN, Vol. 10, Two No. 7, 1988, UK

1987

“Tracey Moffatt\'(catalogue), Art and Aboriginality Show, 1987, Portsmouth, UK - NiceColoured Girls - Liane Hughes, Active Reactive, 1987,Australia - Juliet Herd and Stuart McLean, `Woman disrupts first fleet sendoff,\' Daily Telegraph, May 13 1987, Sydney, Australia

1986

Geoffrey Batchen, `NADOC 86exhibition of Aboriginal and Islander Photographers,\' Photofile p. 24-26, 1986,Sydney, Australia - Cecilia Ryan, `Tracey keeps it all in focus,\' DailyMirror, September 9, 1986, Sydney, Australia - Simlola Coker, `NiceColoured Girls,\' 1986, London, UK - Catherine Rogers, `Pictures forCities,\' Photofile p.24/25, 1986, Sydney, Australia

1985

“Pictures for Cities,\'ArtSpace Newsletter, May/June 1985, Sydney, Australia - Marion Knox,`Pictures for Cities,\' SKIRT, January 1985, Sydney, Australia - `AucklandNew Zealand Political Protest,\' New South Wales Law Bulletin, June/July 1985,Sydney, Australia

1984

“Pictures forCities,\' The Visual History of South Sydney Project, Promotional Poster Sydney,1984, Australia