viewer DISCRETION... children of BATAILLE

Summer Erotica Group Show

June 10 - July 17, 2015

Picasso, Scéne bacchique au Minotaure (S.V. 85), Bloch 192, 1933 (18 May, Paris), etching printed on Montval lad paper with Montgolfier watermark, Plate: 11 3/4 x 14 3/8 inches (29.8 x 36.5 cm), Sheet: 15 1/4 x 19 3/4 inches (38.7 x 50.2 cm), Courtesy of John Szoke Gallery.

Pablo Picasso, Minotaure caressant du Mufle la Man d'une Dormeuse (S.V. 93), Bloch 201, 1933 (18 June. III, Boisgeloup), drypoint printed on Montval laid paper with Vollard watermark, Plate: 11 3/4 x 14 3/8 inches (29.8 x 36.5 cm), Sheet: 13 3/8 x 17 3/4 inches (34 x 45.1 cm), Courtesy of John Szoke Gallery.

Thordis Adalsteinsdottir, "Lot and His Daughters, Genesis 19, 30," 2004, acrylic on canvas, 20 x 16 in (51 x 41 cm)

Thordis Adalsteinsdottir, Woman With Glasses and Cups, 2007, Acrylic on canvas, 36 x 36 in (92 x 92 cm)

Installation view

Peter Saul, Amboosh, 1975, color lithograph, 30 x 40 in (76 x 102 cm)

Hans Bellmer, La Poupée ["The Doll"] (or La Bouche), 1936 (printed 1949 or earlier), Hand-colored vintage gelatin silver print, 5 5/8 x 5 5/8 in (14.5 x 14.5 cm), Ubu Gallery, New York & Galerie Berinson, Berlin.

Hans Bellmer, La Poupée ["The Doll''], 1935 (printed 1949 or earlier), Hand-colored vintage gelatin silver print, 5 3/8 x 5 1/4 in (13.9 x 13.5 cm), Ubu Gallery, New York & Galerie Berinson, Berlin.

Hans Bellmer, Untitled, Study for Histoire de l'oeil ["Story of the Eye"], by Georges Bataille, 1946, Vintage gelatin silver print 5 5/8 x 4 1/4 inches (14 x 11 cm), Ubu Gallery, New York and Galerie Berinson, Berlin.

Hans Bellmer, Untitled, Study for Histoire de l'oeil ["Story of the Eye"], by Georges Bataille, 1946, Vintage gelatin silver print, 4 7/8 x 4 3/4 inches (12.5 x 12 cm), Ubu Gallery, New York and Galerie Berinson, Berlin.

Louise Bourgeois, Sainte Sebastienne, 1992, Drypoint on Somerset Satin paper, 47 x 37 in (120 x 94 cm)

Jeff Burton, Untitled #180 (11:56), 2003, cibachrome print, 40 x 26.5 in (102 x 67 cm)

Chivas Clem, Lunch for Pasolini, 1998, digital print, 16 x 12 in (41 x 31 cm)

William Copley, Untitled, 1973, charcoal on paper, 18 x 23.5 in (45.7 x 59.7 cm), Courtesy of Paul Kasmin Gallery

Installation view

Philip-Lorca diCorcia, "Gerald Hughes (a.k.a. Savage Fantasy), about 25 years old, Southern California, $50," 1990-92, chromogenic print, 44 x 66 in (111.8 x 167.6 cm), Courtesy of David Zwirner Gallery

Dennis Dawson, Untitled (A Sunspot), 2005, pencil on paper, 30 x 22 in (76 x 56 cm)

Dennis Dawson, Untitled (Under the Sun of Seville), 2005, pencil on paper, 30 x 22 in (76 x 56 cm)

Wei Dong, Logo, 2013, Oil and acrylic on canvas , 30 x 24 inches (76 x 61 cm) - diptych

Sarah Meyohas, Dirty Orchid, 2014, Framed Digital C Print, 33 x 50 in (84 x 127 cm)

Anne Doran, Untitled (Ochre), 1993, Watercolor, gypsum casting stone, wax, pigment, dimensions vary: approx 36 x 16 in (91 x 41 cm), Courtesy of Invisible Exports

Tyler Moore, Epispasm, 2015, boombox with recording, 12 x 22 x 11 in (31 x 56 x 28 cm)

Michael St John, Happy Ending, 2013, oil, acrylic on canvas, 48 x 36 in (122 x 91 cm), Courtesy of Andrea Rosen Gallery

Michael St John, blue movie (blue paris), 2010, collage, polymers, oil on canvas, 68 x 26 in (173 x 66 cm), Courtesy of Andrea Rosen Gallery

Hannah Wilke, Untitled (desc. Red, Yellow, Blue), 1989, painted ceramic, red: 2 7/8 x 2 5/8 x 5 inches (7.3 x 6.7 x 12.7 cm), yellow: 4 3/8 x 5 1/2 x 10 inches (11.1 x 14 x 25.4 cm), blue: 3 5/8 x 3 3/4 x 7 1/4 inches (9.2 x 9.5 x 18.4 cm), Courtesy of Ronald Feldman Fine Arts

Installation view

Aaron Johnson, Love in Algiers, 2015, Acrylic on polyester knit mesh, 20 x 24 in (51 x 61 cm)

Aaron Johnson, Maestro, 2015, India ink on paper, 11 x 14 in (28 x 36 cm)

Louise Bourgeois and Tracey Emin, Do not Abandon Me #1: A million Ways to Cum, 2009-2010 archival dyes on cloth, 30 x 24 in (76 x 61 cm)

Louise Bourgeois and Tracey Emin, Do Not Abandon me #7: And so I kissed you, 2009-2010, archival dyes on cloth, 24 x 30 in (61 x 76 cm)

Installation view

Pierre Molinier, Untitled (self-portrait with fetish object), 1996-1968, Vintage gelatin silver print, 4 1/8 x 3 1/8 inches (10.5 x 8 cm), Ubu Gallery, New York, and Galerie Berinson, Berlin.

Pierre Molinier, L'œuvre, le peintre et son fétiche (variant) ["The Work, the Artist and his Fetish"], 1968-1970, Vintage gelatin silver print, 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm), Ubu Gallery, New York and Galerie Berinson, Berlin.

Pierre Molinier, Untitled (self-portrait with female model), 1966-1968, Vintage gelatin silver print, 6 7/8 x 4 7/8 inches (17.5 x 12.5 cm), Ubu Gallery, New York & Galerie Berinson, Berlin.

Sean Mellyn, #Stokeafatty, 2015, oil, glitter, wood, hydrocal, molding paste on two panels (3D element), 17 x 15 x 4.5 in (43 x 38 x 12 cm)

Sean Mellyn, Lower Deck, 2014, oil, glitter, wood, hydrocal, molding paste on two panels (3D element), 19.5 x 15.75 x 4 inches (50 x 40 x 10 cm)

Max Snow, Untitled (Coffin II), 2010, fiber print mounted on dibond, 31 x 40 in (79 x 102 cm)

Betty Tompkins, cunt painting #21, 2014, Acrylic on canvas, 24 x 24 in (61 x 61 cm)

Betty Tompkins, fuck grid #22, 2005, pencil on paper, 17 x 14 in (43 x 35.5 cm)

Betty Tompkins, fuck painting #33, 2009, Acrylic on canvas, 22 x 36 in (56 x 91.5 cm)

Betty Tompkins, fuck painting #39, 2010, Acrylic on canvas, 22 x 36 in (56 x 91.5 cm)

Heide Hatry, Plica vocalis gallinae (Vocal cord of a chicken), 2010, silver halide print, 27 x 20.5 in (69 x 52 cm)

Walter Robinson, Giantess (Black Panties), 2012, Acrylic on paper, 14 x 11 in (36 x 28 cm)

Walter Robinson, Giantess (Red Nails), 2015, Acrylic on canvas, 20 x 16 in (51 x 41 cm)

Walter Robinson, Giantess (with Camera), 2014, Acrylic on linen, 16 x 20 in (41 x 51 cm)

Cary Leibowitz, Top Secret (Calendar), detail, c. 1989, stapled offset lithographs, special installation set of 12, calendar: 17 x 11 in (43 x 28 cm), installation: 72 x 36 in (183 x 91 cm)

Cary Leibowitz, Top Secret (Calendar), c. 1989, stapled offset lithographs, special installation set of 12, calendar: 17 x 11 in (43 x 28 cm), installation: 72 x 36 in (183 x 91 cm), Courtesy of Invisible Exports

Chloe Piene, Kyrie, 2012, Charcoal on vellum, 12 x 9 in (31 x 23 cm)

Akikazu Iwamoto, Untitled #08, 2012, Colored pencil on paper, 14 x 10 inches (36 x 23 cm)

Akikazu Iwamoto, A Courtship, 2012, Acrylic on canvas, 30 x 24 inches (76 x 61 cm)