BARAKAT: The Gift

Curated by Gaia Serena Simionati

June 3 - September 11, 2010

Maïmouna Guerresi, Barakat, 2005, 70 Black resin carpets, 47 x 28 x 28 in, 120 x 70 x 70 cm

Maïmouna Guerresi, Cosmo, 2009, Lambdaprint on shaped, plexiglass, 8 pieces, sizes variable

Halim al Karim, Witness from Baghdad 1 (from Witness from Baghdad Series), 2008, Lambdaprint on aluminum, 59 x 118 inches, 150 x 300 cm

Halim al Karim, Urban Witness (Untitled 1 from, URBAN WITNESS Series), 2004, Lambdaprint Photograph on, Aluminum, 54 x 118 in, 138 x 300 cm

Baris Saribas, B-52 Double, 2010, Acrylic on Canvas, 79 x 89 inches, 200 x 225 cm

Baris Saribas, B1-MAC, 2010, Acrylic on Canvas, 79 x 93 inches, 200 x 235 cm

Nabil Nahas, Untitled, 2008, Acrylic on Canvas, 60 x 48 in, 152 x 122 cm

Nabil Nahas, Untitled, 1997, Acrylic on Canvas, 59 x 59 in, 150 x 150 cm

Moataz Nasr, Propaganda, The demolishment of your comrades in the air force defense points is only a response to your constant attack against the coalition forces. We will not accept you tracing or shooting these airplanes. You might be the next. Forewarned is forearmed You have been warned not to target the coalition airplanes!, 2008, Embroidered Textile, 43 x 74 in, 110 x 188 cm, 43 x 74 in, 110 x 188 cm

Moataz Nasr. Propaganda, (Don't report the locations of the coalition's aircrafts…by doing this you will be destroyed) (“I told you they are not going to hurt us if we don’t report them.” “Which destiny do you choose?”), 2009, Embroidered Textile Diptych, 43 x 74 in, 110 x 188 cm, 43 x 74 in, 110 x 188 cm

Moataz Nasr, Propoganda (Action! Reaction!

You have the choice!), 2008, Embroidered Textile Triptych, 43 x 43 in, 110 x 110 cm, Embroidered Textile, 43 x 74 in, 110 x 188 cm

Halim al Karim, Liberators 1 (from the Liberators series), 2008, Lambdaprint Photograph on, Aluminum, 59 x 118 in, 150 x 300 cm

Shadi Ghadirian, White Square #2, 2009, C-Print Photograph, 30 x 30 in, 76 x 76 cm

Shadi Ghadirian, White Square #3, 2009, C-Print Photograph, 30 x 30 in, 76 x 76 cm

Shadi Ghadirian, White Square #4, 2009, C-Print Photograph, 30 x 30 in, 76 x 76 cm

Shadi Ghadirian, White Square #1, 2009, C-Print Photograph, 30 x 30 in, 76 x 76 cm

Sara Rahbar, Love Arrived and How Red

#8, 2008, C-print, 60 x 45 in, 152 x 114 cm

Navid Azimi Sajadi, Untitled Green, 2010, DVD , 5:00 min, 2010

Black felt and green, acrylic, 98 x 79 in, 249 x 201 cm

Navid Azimi Sajadi, XY, 2009, Ink on Paper, 55 x 39 in, 140 x 100 cm

Navid Azimi Sajadi, Untitled Green, 2010, DVD , 5:00 min, 2010

Black felt and green, acrylic, 98 x 79 in, 249 x 201 cm

Navid Azimi Sajadi, Nuclear Stardom, 2010, C-Print, 30 x 49 in, 77 x 125 cm

 

Hamdi Attia, Archipelago, Victorian Shift(a, part of a body of mapping work), 2010, Cartographic digital drawing, printed on vinyl, 46 x 31 in, 117 x 79 cm

Maïmouna Guerresi, White Oracle, 2007, Lambdaprint, 32 x 39 in, 82 x 100 cm

Maïmouna Guerresi, Oracles, 2007, DVD, 6:10 minutes

Maïmouna Guerresi, Red Oracle, 2007, Lambdaprint, 47 x 32 in, 120 x 80 cm

Barakat: The Gift, a group show conceived by the prominent Italian curator and art critic Gaia Serena Simionati, consists of paintings, sculptures, videos, sound installations, photos and works on paper from nine noted contemporary artists from the Middle East and Africa. Dr. Simionati believes that rather than dwelling on the theme of separation, the language of art should communicate in ways that defy verbal, ethnic, religious, gender and age barriers.

The nine artists invited to participate were specifically chosen for their strength and poetic approach to the theme of communication between different cultures, acceptance, identity and transformation. Their work includes spiritual or ironic socio-political content expressed both in verse and textures that resonate with the curator's own inclinations. Many of the works on view are shown for the first time in New York.

The show focuses on the word Barakat, meaning Blessing in Arabic and in a broader sense it translates to "Gift". Barakat acts as a bridge since it has different connotations in the Iranian, North African, Jewish and Arabic cultures. In addition, in France, the term has taken on a new meaning, that one of Luck due to the increasing Arab influence.

In Arabic, Baraka stands for "a gift from God" in spiritual terms. It is a gift one can choose to either improve upon or ruin oneself and the world in which one is immersed. The selected artists chose to interpret the idea of an ironic and spiritual gift, but there is the proposition of both acceptance and diversity as well. There is an acknowledgment between various cultures of the Great Gift. This is not a form of oppression; Barakat brings in the end luck and fortune. It leads to a transformation toward a better world, one made of intercultural understanding.

A fully illustrated English/Italiancatalogue written by Gaia Serena Simionati with an essay titled YES, WE CAN. INSHALLA! accompanies the exhibition. The catalogue was produced in Verona, Italy by the art publisher Adriano Parise. It includes an interview with Hamdi Attia conducted by the curator Abdellah Karroum.

This exhibit has been made possible in part through the generosity of Paolo Ingegnoli of Leggiuno and the Gallery Olkay Art with the help of Baris Saribas and Selin Maldonado.